\u00d6zg\u00fcrl\u00fck sanat\u0131 ya\u015fam\u0131 \u00f6zg\u00fcrle\u015ftirme sanat\u0131d\u0131r<\/strong><\/p>\nSanat ve \u00f6zg\u00fcrl\u00fck birbirlerini besleyen toprak ve a\u011fa\u00e7 gibidirler. \u00d6zg\u00fcrl\u00fck sanat\u0131 besledi\u011fi gibi sanat da \u00f6zg\u00fcrl\u00fc\u011f\u00fc m\u00fcmk\u00fcn hale getirir. Friedrich Schiller\u2019in dedi\u011fi gibi “Sanat, \u00f6zg\u00fcrl\u00fc\u011f\u00fcn prati\u011fidir!”<\/p>\n
\u00d6zg\u00fcrl\u00fc\u011f\u00fcn sanat\u0131 sadece “g\u00fczel sanatlar” diye adland\u0131r\u0131lan sanat dallar\u0131n\u0131 ifade etmez; devrimci halk sava\u015f\u0131, kad\u0131n \u00f6zg\u00fcrl\u00fck m\u00fccadelesi, demokratik ulus zihniyeti ve onun toplumsal in\u015fas\u0131, \u00fcslubu, tarz\u0131; \u00f6zg\u00fcr birey ve demokratik kom\u00fcn, \u00f6zg\u00fcr e\u015f ya\u015fam\u2026T\u00fcm bunlar \u00f6zg\u00fcrl\u00fc\u011f\u00fcn sanat\u0131n\u0131 ve esteti\u011fini anlat\u0131r.<\/p>\n
\u00d6zg\u00fcrl\u00fck sanat\u0131 ya\u015fam\u0131 \u00f6zg\u00fcrle\u015ftirme sanat\u0131d\u0131r; \u00f6zg\u00fcrl\u00fc\u011f\u00fcn esteti\u011fi ise u\u011fruna m\u00fccadele edilen ya\u015fam\u0131n anlam\u0131 ve ruhudur. Bunun a\u00e7\u0131\u011fa \u00e7\u0131kmas\u0131 i\u00e7in en fazla dogmatizm ve liberalizm ile m\u00fccadele edilmelidir.<\/p>\n
\u00d6zg\u00fcrl\u00fck esteti\u011fi insanda, toplumda iyilik duygusunu, zorluklarla ba\u015f etme ve direnme iradesini, manevi haz ve doyumu geli\u015ftirir. Kazan\u0131mc\u0131d\u0131r, kapsay\u0131c\u0131d\u0131r, \u00e7ekici ve yap\u0131c\u0131d\u0131r; kolay pes etmez, asla teslim olmaz, \u00fcretken ve yarat\u0131c\u0131d\u0131r.<\/p>\n
\u00d6zg\u00fcrl\u00fck esteti\u011fi, sevilecek t\u00fcm g\u00fczelliklerin anas\u0131d\u0131r.<\/p>\n
G\u00fczellik i\u00e7in, sanat i\u00e7in ara\u015ft\u0131rma yap\u0131lmal\u0131; mitolojiler, destanlar incelenmeli, felsefesi olu\u015fturulmal\u0131, i\u015fte o zaman toplumsal ve devrimci de\u011ferler ad\u0131na istenen b\u00fcy\u00fck \u00e7\u0131k\u0131\u015flar yap\u0131labilir.<\/p>\n
Bir\u00e7ok eserde folklorik \u00f6\u011feler \u00f6ne \u00e7\u0131k\u0131yor ama devrimci de\u011ferler yeterince i\u015flenmiyor. Bu da topluma ruh ve cesaret kazand\u0131rmada yeterince rol oynamama anlam\u0131na geliyor. Folklor, k\u00fclt\u00fcr\u00fcn temelidir ve elbette \u00f6nemsenmelidir fakat devrimci de\u011ferler toplumun de\u011fi\u015fiminde belirleyici rol oynar. \u0130kisi birlikte ele al\u0131nmad\u0131\u011f\u0131nda estetik de\u011ferlerin temsili yeterince yap\u0131lamaz.<\/p>\n
Yine estetik konusunda “do\u011fall\u0131k” \u00fczerine bir kez daha d\u00fc\u015f\u00fcn\u00fclmelidir. \u00d6rne\u011fin tekni\u011fin kullan\u0131m\u0131nda g\u00f6r\u00fclen a\u015f\u0131r\u0131l\u0131klar ses ve g\u00f6r\u00fcnt\u00fclerin do\u011fall\u0131\u011f\u0131n\u0131 bozuyor. Kad\u0131n davran\u0131\u015flar\u0131 ve sesi maalesef erkek davran\u0131\u015flar\u0131 ve sesine yak\u0131nla\u015ft\u0131r\u0131larak estetikten uzakla\u015f\u0131l\u0131yor. Bunlar esteti\u011fi \u00f6ld\u00fcren yakla\u015f\u0131mlard\u0131r.<\/p>\n
Estetik “xwebun” olmay\u0131 gerektiriyor<\/strong><\/p>\nEstetik “xwebun” olmay\u0131 gerektiriyor.<\/p>\n
G\u00fcn\u00fcm\u00fczde “\u00e7irkinlik, yanl\u0131\u015f<\/span>l\u0131k, k\u00f6t\u00fcl\u00fck” alabildi\u011f<\/span>ine pop\u00fcler olmu\u015f<\/span>, “g\u00fczel, do\u011f<\/span>ru ve iyi” diye kendini pazarlama konusunda uzmanla\u015f<\/span>m\u0131\u015f<\/span>t\u0131r. Bu alg\u0131 nedeniyle “halk dinliyor, izliyor, seviyor” denilerek bir\u00e7ok yanl\u0131\u015f me\u015frula\u015ft\u0131r\u0131l\u0131yor. Y\u00fczeysellik nedeniyle fark\u0131na bile var\u0131lm\u0131yor.<\/p>\nSonu\u00e7 olarak, y\u00fczeysel yakla\u015f<\/span>\u0131mlarla; tarihsel-toplumsal temeli belli olmayan, rastgele ve g\u00fcn\u00fcbirlik\u00e7i tutumlarla \u00f6zg\u00fcrl\u00fc\u011f<\/span>\u00fcn sanat\u0131 yap\u0131lamaz.<\/p>\n\u00d6zg\u00fcrl\u00fc\u011f<\/span>\u00fcn sanat\u0131 toplumsal temeli ve felsefesi en g\u00fc\u00e7l\u00fc olan ve toplumsal ihtiya\u00e7lara yan\u0131t olu\u015f<\/span>turabilen sanatt\u0131r.<\/p>\nYa\u015f<\/span>am\u0131n \u00f6zg\u00fcrle\u015f<\/span>tirilmesi \u00e7abas\u0131 bir anlamda sanat\u0131n ihtiya\u00e7 duydu\u011f<\/span>u her t\u00fcrl\u00fc zemini, havay\u0131, olana\u011f<\/span>\u0131 kendi elleriyle yaratmak anlam\u0131na gelmektedir.<\/p>\n\u00d6zg\u00fcr ruh ve \u00f6zg\u00fcr ya\u015f<\/span>am anlay\u0131\u015f<\/span>\u0131 geli\u015fkin olursa estetik d\u00fczey de geli\u015fkin olur. Egemenli\u011fe, zulme, do\u011f<\/span>a katliam\u0131na, kad\u0131n k\u0131r\u0131m\u0131na kar\u015f<\/span>\u0131 verilen t\u00fcm m\u00fccadeleler sanat\u0131n ve esteti\u011fin kurtulu\u015funa ne kadar hizmet ediyorsa sanat ve estetik m\u00fccadelesi de ya\u015f<\/span>am\u0131 \u00f6zg\u00fcr ve anlaml\u0131 hale getirmekten sorumludur.<\/p>\nSanat en ileri, en derin d\u00fc\u015f\u00fcnce bi\u00e7imi<\/strong><\/p>\nBu anlamda bir tan\u0131mlama yap\u0131lacak olursa denilebilir ki \u00f6zg\u00fcrl\u00fc\u011f<\/span>\u00fcn esteti\u011f<\/span>i, insanl\u0131\u011f<\/span>\u0131n pe\u015f<\/span>ine d\u00fc\u015f<\/span>t\u00fc\u011f<\/span>\u00fc alternatif ya\u015f<\/span>am\u0131n anlam\u0131 ve ruhudur.<\/p>\nD\u00fc\u015f\u00fcncenin geli\u015fkin seviyesi kendisini felsefe ile belli ederken felsefenin en geli\u015fkini ise sanatla ortaya \u00e7\u0131kar. Sanat en ileri, en derin d\u00fc\u015f\u00fcnce bi\u00e7imidir. Ancak sanat tart\u0131\u015fmalar\u0131 sanat icras\u0131yla beraber olursa daha anlaml\u0131 hale gelir.<\/p>\n
Felsefesi g\u00fc\u00e7l\u00fc olmayan bir sanat anlay\u0131\u015f\u0131 egemenlerin yaratt\u0131\u011f\u0131 kimliksiz, ki\u015filiksiz vasat d\u00fczeyi a\u015famaz.<\/p>\n
Son y\u0131llarda baz\u0131 alanlarda s\u00f6m\u00fcrgecili\u011fin \u00e7arp\u0131tt\u0131\u011f\u0131 zihniyetten kurtulmad\u0131\u011f\u0131 i\u00e7in sanat ad\u0131 alt\u0131nda t\u0131pk\u0131 egemenlerin yapt\u0131\u011f\u0131 gibi kendi kendisiyle alay eden, a\u015fa\u011f\u0131layan, cinsiyet\u00e7i ve \u00f6zentili bir e\u011filim geli\u015fmi\u015ftir. Her t\u00fcrl\u00fc bi\u00e7imsizlik fark\u0131nda olmadan estetik ve \u00f6zg\u00fcrl\u00fck diye sunuluyor. K\u00fclt\u00fcrel soyk\u0131r\u0131ma b\u00f6yle hizmet ediliyor.<\/p>\n
\u00d6zg\u00fcr ruh ve anlam derinli\u011fi sayesinde sanat alan\u0131 kendi paradigmas\u0131n\u0131, alternatifini olu\u015fturulabilir. \u00d6zg\u00fcrl\u00fck sanat\u0131 ve onun esteti\u011fi ancak \u00f6zg\u00fcrl\u00fck bilinci ve m\u00fccadelesiyle ger\u00e7ek kimli\u011fine kavu\u015fabilir. Ortado\u011fu R\u00f6nesans\u2019\u0131na ba\u015fka t\u00fcrl\u00fc \u00f6nc\u00fcl\u00fck yap\u0131lamaz.<\/p>\n
\u00dcretkenlik, etik-estetik ve nitelik<\/strong><\/p>\n\u015fu an i\u00e7inde bulundu\u011fumuz s\u00fcre\u00e7 sanat a\u00e7\u0131s\u0131ndan kimlik kazanma s\u00fcrecidir; bu aray\u0131\u015f\u0131n derinle\u015ftirilmesine ve daha se\u00e7ici olunmas\u0131na ihtiya\u00e7 vard\u0131r. Basitten karma\u015f\u0131\u011fa ad\u0131m ad\u0131m ilerlerken daha sade, daha \u00f6zenli olunmas\u0131 m\u00fcmk\u00fcnd\u00fcr. B\u00f6ylece yapt\u0131\u011f\u0131m\u0131z her i\u015fin toplumdaki olumlu-olumsuz etkilerini sorgulama f\u0131rsat\u0131n\u0131 da buluruz.<\/p>\n
\u0130nsana, topluma ruh kazand\u0131rmayan, canland\u0131rmayan, anlam derinli\u011fi olmayan \u00e7al\u0131\u015fmalar\u0131 a\u015fmak, daha ele\u015ftirel ve sorgulay\u0131c\u0131 yakla\u015fmak; \u00f6zg\u00fcrl\u00fc\u011f\u00fcn hak etti\u011fi estetik d\u00fczeyine ya\u015fam\u0131n her alan\u0131nda ula\u015fmak gerekiyor.<\/p>\n
\u00dcretkenlik gerekiyor fakat nitelik \u00f6nde olmal\u0131d\u0131r. Ankara\u2019n\u0131n \u00f6l\u00fcm makinalar\u0131 merkezine yap\u0131lan eyleme bakal\u0131m, ondan \u00f6nceki Ankara ve Mersin eylemlerine ve yine da\u011flarda en zor ko\u015fullarda i\u015fgalcilerin karargahlar\u0131n\u0131 yerle bir eden eylemlere bakal\u0131m, \u00fcretkenlik, etik-estetik ve nitelik nedir biraz da sava\u015f sanat\u0131ndan \u00f6\u011frenelim.<\/p>\n
Ge\u00e7en y\u0131l oldu\u011fu gibi bir kez daha tav\u015fanla aslan\u0131n k\u0131sa \u00f6yk\u00fcs\u00fcyle bitirelim:<\/p>\n
Tav\u015fan Aslana hava atm\u0131\u015f “bir y\u0131lda onlarca tav\u015fan do\u011furuyorum” demi\u015f. Aslan ise \u015f\u00f6yle bir bakm\u0131\u015f tav\u015fana ve demi\u015f ki: “Ben y\u0131lda sadece bir tane do\u011furuyorum ama aslan do\u011furuyorum!”<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"
\u00d6zg\u00fcrl\u00fc\u011f\u00fcn esteti\u011fi Nurettin DEM\u0130RTA\u015e \u00d6zg\u00fcrl\u00fck sanat\u0131 ya\u015fam\u0131 \u00f6zg\u00fcrle\u015ftirme sanat\u0131d\u0131r; \u00f6zg\u00fcrl\u00fc\u011f\u00fcn esteti\u011fi ise u\u011fruna m\u00fccadele edilen ya\u015fam\u0131n anlam\u0131 ve ruhudur. Bunun a\u00e7\u0131\u011fa \u00e7\u0131kmas\u0131 i\u00e7in en fazla dogmatizm ve liberalizm ile m\u00fccadele edilmelidir. \u00d6zg\u00fcrl\u00fck esteti\u011fi, sevilecek t\u00fcm g\u00fczelliklerin anas\u0131d\u0131r. Son y\u0131llarda baz\u0131 alanlarda s\u00f6m\u00fcrgecili\u011fin \u00e7arp\u0131tt\u0131\u011f\u0131 zihniyetten kurtulmad\u0131\u011f\u0131 i\u00e7in sanat ad\u0131 alt\u0131nda t\u0131pk\u0131 egemenlerin yapt\u0131\u011f\u0131 gibi kendi kendisiyle […]<\/p>\n","protected":false},"author":1,"featured_media":1537,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34],"tags":[],"class_list":["post-1536","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-makaleler"],"_links":{"self":[{"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/posts\/1536","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1536"}],"version-history":[{"count":1,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/posts\/1536\/revisions"}],"predecessor-version":[{"id":1538,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/posts\/1536\/revisions\/1538"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/media\/1537"}],"wp:attachment":[{"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1536"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1536"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1536"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}