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Zozan S\u00ceMA<\/em><\/strong><\/span><\/p>\n \n Ahmet Kaya magazin gazetecilerinin \u00f6d\u00fcl t\u00f6reninde \u201c\u00f6n\u00fcm\u00fczdeki g\u00fcnlerde K\u00fcrt\u00e7e bir \u015fark\u0131 s\u00f6yleyece\u011fim, K\u00fcrt\u00e7e klip \u00e7ekece\u011fim, bunu yay\u0131nlayacak y\u00fcrekli insanlar\u0131n oldu\u011funa inan\u0131yorum\u201d dedi\u011fi i\u00e7in lin\u00e7 edilmi\u015f, s\u00fcrg\u00fcnde ya\u015fam\u0131n\u0131 yitirmi\u015fti. Onun her t\u00fcrk\u00fcs\u00fc ya\u015fam\u0131m\u0131z\u0131n bir kesitinin fon m\u00fczi\u011fi gibi yerle\u015fmi\u015ftir haf\u0131zam\u0131za. 70\u2019li, 80\u2019li ve 90\u2019l\u0131 y\u0131llar\u0131n ruhunu, m\u00fccadelesini, \u0131st\u0131rab\u0131n\u0131, \u00f6fkesini, a\u015fk\u0131n\u0131, toplumsall\u0131\u011f\u0131n\u0131, kahramanl\u0131\u011f\u0131n\u0131, ihanetini, yolda\u015fl\u0131\u011f\u0131n\u0131 Ahmet Kaya \u015fark\u0131lar\u0131 kadar kim daha g\u00fczel ifade eder ki. Paris\u2019teki mezarl\u0131kta yan yana yatt\u0131\u011f\u0131 Y\u0131lmaz g\u00fcney gibi s\u00fcrg\u00fcn ac\u0131s\u0131 bu kadar incitmeseydi y\u00fcre\u011fini 2000\u2019li y\u0131llar\u0131 da Ahmet Kaya\u2019n\u0131n K\u00fcrt\u00e7e m\u00fczi\u011fi ile dinleyecek bu y\u0131llar\u0131n an\u0131lar\u0131 da haf\u0131zam\u0131zda K\u00fcrt\u00e7e olarak hat\u0131rlanacakt\u0131.<\/p>\n K\u00fcrtl\u00fck hakikatinin kendisini en fazla m\u00fczikte ifade etmesi ve korumas\u0131 beraberinde kar\u015f\u0131 sald\u0131r\u0131lar\u0131 da eksik etmedi y\u0131llar boyu. Sadece yasaklama, sanat\u00e7\u0131lar\u0131 tutuklamak, bask\u0131 alt\u0131na almak yetmeyince binlerce K\u00fcrt\u00e7e stran alakas\u0131z i\u00e7erik ve s\u00f6zlerle T\u00fcrk\u00e7ele\u015ftirildi. Buna \u00f6nc\u00fcl\u00fck eden sanat\u00e7\u0131lar bir beyaz K\u00fcrt modeli olarak \u00e7\u0131kar\u0131ld\u0131lar K\u00fcrt halk\u0131n\u0131n kar\u015f\u0131s\u0131na. K\u00fcrtl\u00fck de\u011ferlerini pazarlad\u0131k\u00e7a zengin oldular. Etraf\u0131na toplad\u0131\u011f\u0131 mankenlerin pe\u015finden ko\u015ftu\u011fu, onun i\u00e7in dans etti\u011fi bir haremde kendilerini imparator gibi hisseden klipler \u00e7ektiler. Bu k\u00f6t\u00fc \u00f6rnek sadece T\u00fcrkiye ile s\u0131n\u0131rl\u0131 kalmay\u0131p Ortado\u011fu\u2019da baya\u011f\u0131 ra\u011fbet de toplad\u0131 ne yaz\u0131 ki. \u015eimdi bu muhterem beylere son zamanlarda K\u00fcrt\u00e7e \u015fark\u0131 s\u00f6yleyen yeni sanat\u00e7\u0131lar ekleniyor. Devletin TRT6\u2019s\u0131nda \u00e7al\u0131\u015fan Berdan Mardin\u2019i gibilerini bir kenara b\u0131rak\u0131yorum. Onlar\u0131n \u00fcstlendikleri rol zaten herkes\u00e7e biliniyor.\u00a0\u00a0K\u0131smen de olsa yurtsever olanlardan bahsediyorum.<\/p>\n B\u00fcy\u00fck b\u00f6l\u00fcm\u00fcn\u00fc ayn\u0131 y\u00f6netmenlerin \u00e7ekti\u011fi ve eril fantezi d\u00fcnyas\u0131n\u0131 yans\u0131mas\u0131 olan birbirinin kopyas\u0131 klipler izliyoruz K\u00fcrt\u00e7e m\u00fczik ad\u0131na. Her ne hikmetse \u00e7o\u011fu zaman mek\u00e2n olarak sahil se\u00e7ilir. Modern k\u0131yafetler \u00fczerine bazen aksesuar olarak tak\u0131lan pu\u015fisi ve j\u00f6leli sa\u00e7lar\u0131yla, metroseks\u00fcel K\u00fcrt erke\u011fi otantik bir halay par\u00e7as\u0131n\u0131 diskoteklerde dans etmeye uygun hale getirerek modern enstr\u00fcmanlar e\u015fli\u011finde s\u00f6yler. Baz\u0131lar\u0131 da m\u00fczikleri birbirine benzeyen, s\u00f6zleri de fazla anlam ifade etmeyen K\u00fcrt\u00e7e arabeskin nadide \u00f6rneklerinden birini icra edilir. Ama benim en \u00e7ok zoruma giden binlerce y\u0131ll\u0131k s\u00f6zl\u00fc gelenekten s\u00fczme bal misali bu g\u00fcnlere ula\u015fan denbejki bir strana b\u00f6ylesi pespaye kliplerin \u00e7ekilmesi.\u00a0\u00a0\u00c7o\u011funlu\u011funu erkeklerin olu\u015fturdu\u011fu bu \u015fark\u0131c\u0131lar\u0131n etraf\u0131nda mutlaka bir grup kad\u0131n ya da genelde yine ne hikmetse boyal\u0131 sar\u0131 sa\u00e7lar\u0131 ile dolanan ya da naz, i\u015fve yaparak erke\u011fi pe\u015finden doland\u0131ran ulusal k\u0131yafet giymi\u015f mankenler de eksik olmaz. Arka fona bir folklor ekibi de koyunca ne de g\u00fczel bir klip \u00e7ekilmi\u015f oluyor.<\/p>\n Hi\u00e7bir yenili\u011fi ve orjinalitesi olmayan bu yeni K\u00fcrt\u00e7e \u015fark\u0131 ve klipler bizlere yeniden \u0130brahim Tatl\u0131ses, Mahsum K\u0131rm\u0131z\u0131g\u00fcl, K\u00fc\u00e7\u00fck Emrah, \u00d6zcan Deniz sendromu ya\u015fat\u0131yor. G\u00fcney K\u00fcrdistan\u2019l\u0131 sanat\u00e7\u0131lar\u0131n kliplerinde daha yayg\u0131n bi\u00e7imde geli\u015fen bu k\u00fclt\u00fcre son y\u0131llarda Kuzey K\u00fcrdistan\u2019\u0131nda eklenmesi K\u00fcrt m\u00fczi\u011fi ad\u0131na \u00e7ok b\u00fcy\u00fck bir tehlikeye ve talihsizli\u011fe i\u015faret ediyor. K\u00fcrt halk \u00f6nderi Abdullah \u00d6calan son savunmas\u0131nda \u201cYahudilerin kendi soyk\u0131r\u0131mlar\u0131na ili\u015fkin yapt\u0131klar\u0131 d\u00fcnya \u00e7ap\u0131nda kabul g\u00f6ren bir edebiyatlar\u0131 vard\u0131r. Ya\u015fad\u0131klar\u0131 say\u0131s\u0131z filme, romana, bilimsel esere, m\u00fczi\u011fe ve resme konu oldu\u011fu halde, K\u00fcrtlerin ya\u015fad\u0131klar\u0131na veya K\u00fcrtlere ya\u015fat\u0131lanlara ili\u015fkin tersi bir durum s\u00f6z konusudur. Ya\u015fad\u0131klar\u0131n\u0131n ne bir edebiyat\u0131, sinemas\u0131, ne de bilimsel incelenmesi yap\u0131lm\u0131\u015ft\u0131r. Geriye sadece m\u00fczik alan\u0131nda geleneksel bir destan t\u00fcr\u00fc kalm\u0131\u015ft\u0131r. O da t\u00fckenmekte, t\u00fcketilmektedir.\u201d S\u00f6zleri ile bu t\u00fckeni\u015fe ve nas\u0131l bir halk\u0131n sanat\u00e7\u0131s\u0131 olduklar\u0131n\u0131n fark\u0131nda olmayanlara dikkati \u00e7ekmi\u015ftir. K\u00fcrt m\u00fczi\u011finin dayand\u0131\u011f\u0131 miras K\u00fcrtl\u00fc\u011f\u00fcnden utanarak, K\u00fcrt\u00e7e \u015fark\u0131lar\u0131 \u00e7al\u0131p-\u00e7\u0131rp\u0131p Ahmet Kaya lin\u00e7 edilirken sahneye f\u0131rlay\u0131p onuncu y\u0131l mar\u015f\u0131n\u0131 okuyanlar de\u011fil; i\u015fkencelerde, faili me\u00e7hullerde \u00f6ld\u00fcr\u00fclenleri, onlarca y\u0131l zindanda yatanlar\u0131, a\u00e7l\u0131k-yoksulluk i\u00e7inde \u00f6lenleri, s\u00fcrg\u00fcnlerde \u00f6m\u00fcr t\u00fcketenleri, \u00f6zg\u00fcrl\u00fc\u011f\u00fc i\u00e7in da\u011flarda sava\u015fanlar\u0131yla K\u00fcrt hakikatini ya\u015fatan sanat\u00e7\u0131lard\u0131r. Bunun yerine K\u00fcrtl\u00fck d\u00fc\u015fman\u0131, kad\u0131n d\u00fc\u015fman\u0131, toplumsal de\u011ferlerin d\u00fc\u015fman\u0131, t\u00fcm g\u00fczelliklerin t\u00fcketildi\u011fi bu ucube k\u00fclt\u00fcr\u00fcn etkisine girilmesi K\u00fcrtl\u00fc\u011f\u00fcn K\u00fcrt\u00e7e k\u0131r\u0131ma u\u011frat\u0131lmas\u0131 de\u011fil midir? K\u00fcrt m\u00fczi\u011fi y\u0131llarca bask\u0131c\u0131 devletlere direndikten sonra \u015fimdi de b\u00f6ylesi kliplere, b\u00f6yle sanat\u00e7\u0131lara kar\u015f\u0131 da kendi \u00f6z de\u011ferlerine dayal\u0131 yeni bir direni\u015fi geli\u015ftirmek durumunda.<\/p>\n T\u00fcm d\u00fcnyada sadece erkek sanat\u00e7\u0131lar\u0131n de\u011fil kad\u0131n sanat\u00e7\u0131lar\u0131n da ger\u00e7i bunlar\u0131 sanat\u00e7\u0131 olarak adland\u0131rmak da pek m\u00fcmk\u00fcn de\u011fil ya neyse- art\u0131k pornografik filmleri a\u015fan dozajda sahnelerle \u00e7ekti\u011fi klipler zaten yeterince yozla\u015fma yarat\u0131yor. Buna bir de K\u00fcrt versiyonu eklemenin, K\u00fcrt m\u00fczi\u011fini de bu \u00e7irkefe bulaman\u0131n ne alemi var. \u0130\u00e7ine k\u0131r\u0131nt\u0131 kabilinden birka\u00e7 folklorik \u00f6\u011fe katarak yeni bir piyasa yarat\u0131l\u0131yor, \u00fcstelik y\u0131llarca K\u00fcrt\u00e7e \u0131sl\u0131k \u00e7ald\u0131\u011f\u0131, halay \u00e7ekti\u011fi i\u00e7in u\u011framad\u0131klar\u0131 hakaret kalmayan K\u00fcrt halk\u0131na bunlar \u00f6zg\u00fcrl\u00fck olarak sunulmak isteniliyor. \u0130lle de propaganda yapan, ac\u0131lar\u0131, g\u00f6zya\u015f\u0131n\u0131 i\u015fleyen \u015fark\u0131lar ve klipler yap\u0131ls\u0131n demiyorum. Ancak y\u0131llard\u0131r izledi\u011fimiz, hi\u00e7 sevmedi\u011fimiz ve k\u00fclt\u00fcr\u00fcm\u00fcze, kimli\u011fimize, kad\u0131nlar olarak cinsimize hakaret anlam\u0131na gelen bu kliplere de itiraz\u0131m var. Ahmet Kaya\u2019n\u0131n K\u00fcrt\u00e7e klip \u00e7ekmek istedi\u011fini s\u00f6ylemesine bile tahamm\u00fcl g\u00f6stermeyen, ona \u00e7atal f\u0131rlat\u0131p, lin\u00e7 edenler de aynen b\u00f6yle klipler \u00e7ekiyor, bu tarzda m\u00fczik yap\u0131yordu. Onun an\u0131s\u0131na da olsa \u00f6zg\u00fcrl\u00fck\u00e7\u00fc-demokratik de\u011ferleri, kad\u0131nlar\u0131n kimli\u011fine sayg\u0131y\u0131 esas alan bir d\u00fczeltme yapacak bir etik ve estetik \u00f6l\u00e7\u00fc kazand\u0131rmak gerekir diye d\u00fc\u015f\u00fcn\u00fcyorum K\u00fcrt m\u00fczi\u011fine. T\u00fcrkiyeli bir pop sanat\u00e7\u0131s\u0131 ya\u015fam\u0131 \u00fczerine yap\u0131lan bir programda aynen bu tarzda \u00e7ekilmi\u015f eski bir klibini ve klipteki dans\u0131n\u0131 g\u00f6r\u00fcnce epey g\u00fcld\u00fckten sonra \u201cetraf\u0131mda hi\u00e7 akl\u0131 ba\u015f\u0131nda kimse yok muydu beni uyars\u0131n ve bu sa\u00e7ma \u015feyi yapmama izin vermesin\u201d diye hay\u0131flanm\u0131\u015ft\u0131. Belki bu yaz\u0131 da b\u00fct\u00fcn de\u011ferleri satarak para kazanma derdinde olmayan ancak bir trendin pe\u015fine tak\u0131lan y\u00f6netmenlere, \u015fark\u0131lar\u0131na bu tarzda klip \u00e7ekmeyi d\u00fc\u015f\u00fcnenlere ve bu kliplerde oynayan yurtseverlere dost\u00e7a bir uyar\u0131 olur. Bu ucubeli\u011fe ortak olmay\u0131n!<\/p>\n \n","protected":false},"excerpt":{"rendered":" Zozan S\u00ceMA Ahmet Kaya magazin gazetecilerinin \u00f6d\u00fcl t\u00f6reninde \u201c\u00f6n\u00fcm\u00fczdeki g\u00fcnlerde K\u00fcrt\u00e7e bir \u015fark\u0131 s\u00f6yleyece\u011fim, K\u00fcrt\u00e7e klip \u00e7ekece\u011fim, bunu yay\u0131nlayacak y\u00fcrekli insanlar\u0131n oldu\u011funa inan\u0131yorum\u201d dedi\u011fi i\u00e7in lin\u00e7 edilmi\u015f, s\u00fcrg\u00fcnde ya\u015fam\u0131n\u0131 yitirmi\u015fti. Onun her t\u00fcrk\u00fcs\u00fc ya\u015fam\u0131m\u0131z\u0131n bir kesitinin fon m\u00fczi\u011fi gibi yerle\u015fmi\u015ftir haf\u0131zam\u0131za. 70\u2019li, 80\u2019li ve 90\u2019l\u0131 y\u0131llar\u0131n ruhunu, m\u00fccadelesini, \u0131st\u0131rab\u0131n\u0131, \u00f6fkesini, a\u015fk\u0131n\u0131, toplumsall\u0131\u011f\u0131n\u0131, kahramanl\u0131\u011f\u0131n\u0131, ihanetini, yolda\u015fl\u0131\u011f\u0131n\u0131 […]<\/p>\n","protected":false},"author":1,"featured_media":726,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-725","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-ve-sanat"],"_links":{"self":[{"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/posts\/725","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=725"}],"version-history":[{"count":1,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/posts\/725\/revisions"}],"predecessor-version":[{"id":727,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/posts\/725\/revisions\/727"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/media\/726"}],"wp:attachment":[{"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=725"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=725"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=725"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}