<\/p>\n
<\/p>\n
D\u00eecle TEKMAN<\/em><\/strong><\/span><\/p>\n <\/p>\n Hakikat aray\u0131\u015f\u0131nda bir mihenk ta\u015f\u0131 ve \u00d6nderlik \u00e7izgisinin amans\u0131z sava\u015f\u00e7\u0131s\u0131, Mizg\u00een arkada\u015f\u0131n (\u00a0Gurbet AYDIN<\/strong>\u00a0)\u00a0\u015fahadetinin 22\u2019inci y\u0131l\u0131nda anarken K\u00fcrdistan Kad\u0131n Tarihinin \u00f6zg\u00fcrl\u00fck sava\u015f\u0131nda biz kad\u0131n yolda\u015flar\u0131 olarak kendisini an\u0131yor, m\u00fccadelesinin \u00f6n\u00fcnde sayg\u0131yla e\u011filiyoruz.<\/p>\n Bilge insan R\u00eaber APO kendi Hakikat aray\u0131\u015f\u0131nda K\u00fcrdistan\u2019\u0131n yi\u011fit K\u00fcrt k\u0131zlar\u0131n\u0131 da arkas\u0131na alarak \u00d6zg\u00fcrl\u00fck \u00f6zlemleriyle bu Hakikat y\u00fcr\u00fcy\u00fc\u015f\u00fcne \u00e7\u0131karm\u0131\u015f ve Kad\u0131n, yitirilen benli\u011fini, iradesini \u00d6nderlikte, onun yaratt\u0131\u011f\u0131 \u00d6zg\u00fcrl\u00fck y\u00fcr\u00fcy\u00fc\u015f\u00fcnde kazanm\u0131\u015ft\u0131r. \u201cPKK bir Kad\u0131n partisidir\u201d \u00a0s\u00f6z\u00fcnden yola \u00e7\u0131kan \u00d6nderli\u011fimiz, \u00d6zg\u00fcrl\u00fck M\u00fccadelemizin ilk a\u015famas\u0131nda Kad\u0131na yer vermi\u015f ve\u00a0\u201c<\/strong>Toplumun <\/strong>\u00d6<\/strong>zg<\/strong>\u00fc<\/strong>rl<\/strong>\u00fc\u011f\u00fc<\/strong> Kad<\/strong>\u0131<\/strong>n<\/strong>\u0131<\/strong>n <\/strong>\u00d6<\/strong>zg<\/strong>\u00fc<\/strong>rl<\/strong>\u00fc\u011f\u00fc<\/strong>nden ge<\/strong>\u00e7<\/strong>er<\/strong>\u201d<\/strong>\u00a0felsefesini esas alarak, PKK ideolojisinin temeline oturtmu\u015ftur. Bu felsefe Kad\u0131na kendisi olmas\u0131n\u0131, cesareti, fedak\u00e2rl\u0131\u011f\u0131, azmi ve en \u00f6nemlisi Kad\u0131n olma gururunu \u00f6\u011fretti, \u00f6\u011fretiyor. Bin y\u0131llard\u0131r k\u00f6hnemi\u015f ve yitirilmi\u015f kutsal mek\u00e2nlar\u0131n ger\u00e7ek yarat\u0131c\u0131s\u0131, ya\u015fam\u0131n kurucusu Ana tanr\u0131\u00e7a Kad\u0131n\u0131n diyar\u0131nda filizlenen\u00a0\u201c<\/strong>Sevda Kad<\/strong>\u0131<\/strong>n<\/strong>\u0131\u201d<\/strong>n\u0131n hik\u00e2yesi do\u011fuyor bug\u00fcn! Yalanc\u0131 ve zalim erkekli\u011fe inat, Kad\u0131n yeniden, kendi k\u00fcllerinden kendisini yarat\u0131yor \u00f6zg\u00fcrl\u00fc\u011fe susam\u0131\u015f\u00e7as\u0131na, bir t\u00fcrk\u00fc, bir destan, bir tarih yaz\u0131yor bug\u00fcn\u00fcn yar\u0131nlar\u0131na. Bu tarih K\u00fcrdistan Kad\u0131n\u0131n\u0131n, yi\u011fit K\u00fcrt K\u0131zlar\u0131n\u0131n tarihi!<\/p>\n K\u00fcrt \u00d6zg\u00fcrl\u00fck M\u00fccadelesinin her bir \u015eehidini anlatmak demek, bir tarih kitab\u0131 yazmak demektir. \u00d6zelde Mizg\u00een arkada\u015f\u0131 anlatmak ise, sadece tarihi de\u011fil, kad\u0131n\u0131, sanat\u0131, k\u00fclt\u00fcr\u00fc, ahlak\u0131, edebiyat\u0131, gerillay\u0131, komutan\u0131, militan\u0131 ve daha sayamad\u0131\u011f\u0131m\u0131z bir\u00e7ok \u00f6zellikleriyle anlatmak demektir.<\/p>\n \u00d6nderli\u011fin kad\u0131na anlaml\u0131 yakla\u015f\u0131m\u0131 Mizg\u00een arkada\u015f\u0131 derinden etkilemi\u015f ve hakikat aray\u0131\u015f\u0131nda \u00f6zg\u00fcrl\u00fck m\u00fccadelesine \u00e7ekerek, da\u011flar\u0131n asi ve sarp kayal\u0131klar\u0131nda k\u00f6k salan \u00e7i\u00e7ekler gibi \u00f6n\u00fcnde hi\u00e7bir engel tan\u0131madan her t\u00fcrl\u00fc zorluklar\u0131 a\u015farak y\u00fcr\u00fcm\u00fc\u015ft\u00fcr. Bu hakikat y\u00fcr\u00fcy\u00fc\u015f\u00fcnde Kad\u0131n kendi g\u00fcc\u00fc, iradesi, cesareti ve fedak\u00e2rl\u0131\u011f\u0131 ile kendi ayaklar\u0131n\u0131n \u00fczerinde durmas\u0131n\u0131 \u00f6\u011frenmi\u015f, geleneksel toplum \u00f6l\u00e7\u00fclerinin zincirlerini k\u0131rarak geri, feodal, k\u00f6hnemi\u015f zihinlere kar\u015f\u0131 b\u00fcy\u00fck bir darbe vurmu\u015ftur.<\/p>\n Mizg\u00een arkada\u015f 1982 y\u0131l\u0131nda \u00f6zg\u00fcrl\u00fck m\u00fccadelesiyle tan\u0131\u015f\u0131r. \u00dclke sevgisi, a\u015fk\u0131 onda derin bir yurtseverlik duygusunu geli\u015ftirerek m\u00fccadeleye aktif olarak kat\u0131lmas\u0131n\u0131 sa\u011flar. \u00d6nderlik sahas\u0131na (L\u00fcbnan) giderek Mahsum Korkmaz Akademisinde \u00d6nderlik e\u011fitimini al\u0131r. Sesi g\u00fczel ve etkileyici oldu\u011fundan \u00d6nderlik onu ilk etapta k\u00fclt\u00fcr ve sanat \u00e7al\u0131\u015fmalar\u0131nda yer almas\u0131 i\u00e7in d\u00fczenler. Ayr\u0131ca Avrupa\u2019daki\u00a0YJWK<\/strong>\u2019<\/strong>nin \u00f6rg\u00fctlemesinde de yer al\u0131r ve cephe faaliyetlerini y\u00fcr\u00fct\u00fcrken,\u00a0Koma Berxwedan<\/strong>\u2019\u0131<\/strong>n<\/strong>\u00a0kurulmas\u0131nda \u00f6nemli rol oynar. Ayn\u0131 zamanda bu m\u00fczik gurubunun temel bir kadrosu olarak i\u00e7inde yer al\u0131r. Mizg\u00een arkada\u015f hem sesi hem eylemi ve hem de \u00f6rg\u00fctleme yetene\u011fi ile devrimci, militan bir duru\u015fa sahiptir. Bu duru\u015fu ile bir\u00e7ok K\u00fcrt kad\u0131n\u0131n\u0131 ve gencini etkileyerek m\u00fccadeleye \u00e7eker.<\/p>\n \u00dclkemin g\u00fczel co\u011frafyas\u0131, yi\u011fit insanlar\u0131, kartal yuvas\u0131 da\u011flar\u0131n asili\u011fi, Dicle ve F\u0131rat\u0131n h\u0131r\u00e7\u0131n ak\u0131\u015f\u0131, deli taylar\u0131n hoyratl\u0131\u011f\u0131, halk\u0131m\u0131n isyanlar\u0131, ac\u0131lar\u0131, sevinci, umutlar\u0131, \u00f6zlemleri ve \u00f6zg\u00fcrl\u00fc\u011fe olan tutkular\u0131n\u0131 en iyi anlatan K\u00fcrt edebiyat\u0131 ve sanat\u0131d\u0131r. Tarihteki destanlar, a\u015fklar ve kahramanl\u0131klar, ac\u0131lar, kin ve \u00f6fkeler, direni\u015fler, k\u00fclt\u00fcrler ve ozanlar, daha sayamad\u0131klar\u0131m\u0131z kadar y\u00fcce de\u011ferler unutulmadan, yitirilmeden ya\u015fan\u0131r, ya\u015fat\u0131l\u0131r s\u00f6ylenen dengb\u00eaj t\u00fcrk\u00fclerinde. K\u00fcrt m\u00fczi\u011finin unutulmaz sesleri olan\u00a0\u015eakiro, Ay\u015fe \u015ean ve Aram<\/strong>\u00a0Tigran<\/strong>\u00a0gibi b\u00fcy\u00fck sanat\u00e7\u0131lar toplumsal ve evrensel k\u00fclt\u00fcr\u00fc, manevi de\u011ferleri s\u00f6yledikleri \u015fark\u0131larda hissederek, ya\u015fayarak dillendirirler. Bir de bunu en iyi Mizg\u00een arkada\u015f anlat\u0131r, dile getirir o yan\u0131k sesiyle.<\/p>\n Ki\u015fili\u011fi bak\u0131m\u0131ndan karizmatik \u00f6zellikler ta\u015f\u0131yan; devrimci sanat\u0131n kimli\u011fini,\u00a0\u00a0gerilla komutanl\u0131\u011f\u0131n\u0131 ve \u00f6zg\u00fcr kad\u0131n militanl\u0131\u011f\u0131n\u0131 ki\u015fili\u011finde somutla\u015ft\u0131ran ve en iyi temsil eden Mizg\u00een arkada\u015ft\u0131r. \u00c7ok y\u00f6nl\u00fc yetene\u011fe sahip, m\u00fctevaz\u0131, \u00f6rg\u00fctl\u00fc, kad\u0131n\u0131n her konuda \u00f6nc\u00fcl\u00fck potansiyeline sahip oldu\u011funa inanan ve bunu her ko\u015ful alt\u0131nda keskin m\u00fccadele vererek ve direnerek a\u00e7\u0131\u011fa \u00e7\u0131kartan, kendine g\u00fcvenen duru\u015fu ve \u00fcslubu etkileyici bir komutand\u0131r ayn\u0131 zamanda.<\/p>\n T\u00fcm toplumlarda, \u00f6zelde K\u00fcrt toplumunda Kad\u0131na verilen rol ve misyon bellidir. Bir kad\u0131n\u0131n sava\u015fa, devrimcili\u011fe, gerilla m\u00fccadelesine kat\u0131l\u0131m\u0131n\u0131 hen\u00fcz kabul g\u00f6ren bir yakla\u015f\u0131m s\u00f6z konusu de\u011fildi. Kad\u0131na g\u00fcvensiz, zay\u0131f, askeri mant\u0131ktan ve sava\u015f taktiklerinden anlamaz, g\u00fc\u00e7 getiremez, kendi ayaklar\u0131 \u00fczerinde duramaz, hatta sorunludur gibi basit, s\u0131radan ve cinsiyet\u00e7i yakla\u015f\u0131m hep dile gelen bir husustur. Fakat kad\u0131na kar\u015f\u0131 bu bak\u0131\u015f a\u00e7\u0131s\u0131n\u0131 \u00d6nderlik ba\u015fta kad\u0131nlar\u0131 devrime alarak hem kad\u0131nda kendi iradesini, potansiyelini a\u00e7\u0131\u011fa \u00e7\u0131kartm\u0131\u015f ve hem de toplumdaki feodal kal\u0131plar\u0131 kad\u0131n\u0131 sava\u015ft\u0131rarak y\u0131km\u0131\u015ft\u0131r. Mizg\u00een arkada\u015f\u0131n sava\u015ftaki cesareti, fedak\u00e2rl\u0131\u011f\u0131, komutanl\u0131kta askeri mant\u0131\u011f\u0131 ve takti\u011fi, ya\u015famdaki moral, co\u015fku ve \u00f6nc\u00fc duru\u015fu bu geri-geleneksel zihinlere kar\u015f\u0131 kad\u0131n\u0131n yapabilirli\u011fini ispatlam\u0131\u015f ve kad\u0131n ordula\u015fmas\u0131n\u0131n temellerini atm\u0131\u015ft\u0131r.<\/p>\n 1989 y\u0131l\u0131nda Mardin\u2019de ilk kad\u0131n eyalet komutan\u0131 olarak g\u00f6rev alan Mizg\u00een arkada\u015f, sanat\u00e7\u0131 kimli\u011finde oldu\u011fu gibi komutanl\u0131\u011f\u0131nda da etkileyici ve m\u00fctevaz\u0131 \u00f6zelliklere sahiptir. PKK\u2019de militanl\u0131\u011f\u0131n bir ilkesi de\u00a0\u201c<\/strong>bir lokma, bir h<\/strong>\u0131<\/strong>rka<\/strong>\u201d<\/strong>\u00a0felsefesini esas almakt\u0131r. Komutan Ag\u00eet (Mahsum Korkmaz)yolda\u015ftan gelen komutanl\u0131k gelene\u011fi de i\u015fte bu felsefe ile kendisini \u00f6rg\u00fctler, \u00f6z\u00fcmser ve ya\u015fama ge\u00e7irir. Mizg\u00een arkada\u015f komutanl\u0131k \u00f6zelli\u011finde \u00f6ncelikle bu felsefeyi ya\u015fam\u0131n\u0131n bir ilkesi haline getirerek,\u00a0\u00a0hem ideolojik, hem \u00f6rg\u00fctsel ve hem de askeri alanda m\u00fccadele etmenin \u00f6nc\u00fcl\u00fck rol\u00fcn\u00fc oynar. En temel \u00f6zelliklerinden bir di\u011feri ise, \u00f6rg\u00fct\u00fcn ilke ve \u00f6l\u00e7\u00fclerini, de\u011fer yarg\u0131lar\u0131n\u0131 korumakt\u0131r. Mizg\u00een arkada\u015f\u0131n bulundu\u011fu ortamda \u00d6nderlik \u00e7izgisine ve ideolojisine ters d\u00fc\u015fen anlay\u0131\u015f ve e\u011filimlere yer yoktur. Tasfiyecili\u011fe kar\u015f\u0131 radikal m\u00fccadele verir, PKK \u00e7izgisini ve \u00d6nderlik felsefesini \u00f6rg\u00fct ya\u015fam\u0131nda kendi ki\u015fili\u011finde pratikle\u015ftirdi\u011fi kadar bulundu\u011fu ortama da bunu dayat\u0131r ve uygulat\u0131r. Bu konuda K\u00fcrt kad\u0131n\u0131n\u0131n \u00f6nc\u00fcl\u00fck rol\u00fc oynayabilece\u011finin bilincinde olan bir arkada\u015ft\u0131r. Mizg\u00een arkada\u015f bu \u00f6zellikleriyle \u00f6rg\u00fct\u00fcn bir\u00e7ok \u00e7al\u0131\u015fma sahalar\u0131nda ve eyaletlerinde kalarak bir\u00e7ok tecr\u00fcbe ve birikim sahibi olur. Bu birikim ve tecr\u00fcbe onda, iddia d\u00fczeyini, kararl\u0131l\u0131\u011f\u0131n\u0131 ve m\u00fccadeleye ba\u011fl\u0131l\u0131\u011f\u0131n\u0131 daha da bir g\u00fc\u00e7lendirir. Pratik zek\u00e2s\u0131, etkileyici \u00fcslubu ve ya\u015famdaki \u00e7ekici duru\u015fuyla o hem bir sanat\u00e7\u0131 hem de bir komutand\u0131r.<\/p>\n 1991 y\u0131l\u0131nda Garzan eyaletinin sorumlusudur. \u201cMilitan ya\u015fam\u0131 ve eylemiyle militand\u0131r\u201d s\u00f6z\u00fc Mizg\u00een arkada\u015fta somutla\u015fm\u0131\u015f, Apocu Ruhu, fedai tarz\u0131 a\u00e7\u0131\u011fa \u00e7\u0131karm\u0131\u015f bir Hakikattir. 1992 y\u0131l\u0131n\u0131n 11 May\u0131s\u0131nda Tatvan\u2019da y\u00fcr\u00fct\u00fclen cephe faaliyetlerini denetleme ama\u00e7l\u0131 gitti\u011fi bir evdeyken, ihbar sonucu ev d\u00fc\u015fman taraf\u0131ndan ku\u015fatmaya al\u0131n\u0131r ve Mizg\u00een arkada\u015f d\u00fc\u015fmanla son mermisine kadar \u00e7at\u0131\u015f\u0131r, tarihten bu g\u00fcne gelen K\u00fcrt kad\u0131n\u0131n\u0131n teslimiyete kar\u015f\u0131 direni\u015f\u00e7i ruhunu kendisinde ya\u015fatarak son mermisini kendine vurarak kahramanca \u015fehit d\u00fc\u015fer.<\/p>\n Mizg\u00een arkada\u015f, K\u00fcrt \u00d6zg\u00fcrl\u00fck M\u00fccadelesinde onurlu yerini alm\u0131\u015f ve Kad\u0131n \u00f6zg\u00fcrl\u00fck m\u00fccadelesinin sembol\u00fc, kahraman komutanlar\u0131ndan se\u00e7kin bir \u00f6rnek olmu\u015ftur. Kad\u0131n \u00f6zg\u00fcrl\u00fck m\u00fccadelemizde Hakikat aray\u0131\u015f\u0131m\u0131z\u0131n bizleri bug\u00fcne getirdi\u011fi a\u015fama \u015fehit yolda\u015flar\u0131m\u0131z\u0131n yaratt\u0131\u011f\u0131 de\u011ferler sayesindedir. E\u011fer bug\u00fcn K\u00fcrt kad\u0131n\u0131n sesi evrensel bir \u00e7\u0131\u011fl\u0131\u011fa d\u00f6n\u00fc\u015fm\u00fc\u015fse, bu, Mizg\u00een arkada\u015f\u0131n yan\u0131k sesiyle insanl\u0131\u011fa duyurdu\u011fu \u00f6zg\u00fcrl\u00fck t\u00fcrk\u00fclerinin eseridir. Bug\u00fcn bar\u0131\u015ftan ve \u00f6zg\u00fcr ya\u015famdan s\u00f6z ediyorsak, \u015fehit Mizg\u00een yolda\u015f\u0131n y\u00fcce ki\u015fili\u011fiyle yaratt\u0131\u011f\u0131 miras\u0131n ifadesidir. Bizler \u015fehit Mizg\u00een yolda\u015f\u0131n ard\u0131llar\u0131 olarak onun hayallerini ger\u00e7e\u011fe ta\u015f\u0131rmakla y\u00fck\u00fcml\u00fcy\u00fcz. Bu tarihi bir g\u00f6revdir, an\u0131s\u0131na sayg\u0131n\u0131n da gere\u011fidir. Bu anlamda \u015fahadetinin y\u0131l d\u00f6n\u00fcm\u00fc vesilesiyle \u00f6zg\u00fcrl\u00fck m\u00fccadelesinin b\u00fcy\u00fck sanat\u00e7\u0131s\u0131 ve b\u00fcy\u00fck komutan\u0131, devrimin unutulmaz sesi Mizg\u00een yolda\u015f\u0131 tekrar an\u0131yor, an\u0131s\u0131na ba\u011fl\u0131 kalaca\u011f\u0131m\u0131z\u0131n s\u00f6z\u00fcn\u00fc veriyoruz.<\/p>\n \n","protected":false},"excerpt":{"rendered":" D\u00eecle TEKMAN Hakikat aray\u0131\u015f\u0131nda bir mihenk ta\u015f\u0131 ve \u00d6nderlik \u00e7izgisinin amans\u0131z sava\u015f\u00e7\u0131s\u0131, Mizg\u00een arkada\u015f\u0131n (\u00a0Gurbet AYDIN\u00a0)\u00a0\u015fahadetinin 22\u2019inci y\u0131l\u0131nda anarken K\u00fcrdistan Kad\u0131n Tarihinin \u00f6zg\u00fcrl\u00fck sava\u015f\u0131nda biz kad\u0131n yolda\u015flar\u0131 olarak kendisini an\u0131yor, m\u00fccadelesinin \u00f6n\u00fcnde sayg\u0131yla e\u011filiyoruz. Bilge insan R\u00eaber APO kendi Hakikat aray\u0131\u015f\u0131nda K\u00fcrdistan\u2019\u0131n yi\u011fit K\u00fcrt k\u0131zlar\u0131n\u0131 da arkas\u0131na alarak \u00d6zg\u00fcrl\u00fck \u00f6zlemleriyle bu Hakikat […]<\/p>\n","protected":false},"author":1,"featured_media":753,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-752","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-ve-sanat"],"_links":{"self":[{"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/posts\/752","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=752"}],"version-history":[{"count":1,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/posts\/752\/revisions"}],"predecessor-version":[{"id":754,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/posts\/752\/revisions\/754"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/media\/753"}],"wp:attachment":[{"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=752"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=752"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=752"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}