<\/p>\n
<\/p>\n
Dilzar D\u00ceLOK<\/em><\/strong><\/span><\/p>\n <\/p>\n <\/p>\n Adland\u0131rmalar\u0131n zihniyet yap\u0131lanmas\u0131n\u0131 yans\u0131tt\u0131\u011f\u0131 g\u00fczel K\u00fcrt\u00e7emizde neredeyse her s\u00f6ylem bir kan\u0131t olmaktad\u0131r Mezopotamya toplumsall\u0131\u011f\u0131na. K\u00fcrtler \u00fcnl\u00fc ki\u015filere \u201cXwed\u00ee Nav \u00fb Deng\u201d derler. Anl\u0131 \u015fanl\u0131 olmak anlat\u0131lsa da, birebir \u00e7evirisi ad\u0131 ve sesi olan anlam\u0131ndad\u0131r. Sesini duyurmu\u015f olmay\u0131 anlat\u0131r. Ki\u015finin sesini duyurmas\u0131, o ki\u015finin ad\u0131n\u0131 duyurmas\u0131n\u0131n y\u00f6ntemlerinden biri kabul edilir. Sesini ve ad\u0131n\u0131 duyuranlar \u00fczerine t\u00fcrk\u00fcler s\u00f6ylenir. Kimine a\u011f\u0131t yak\u0131l\u0131r, kimine g\u00fczelleme s\u00f6ylenir, kiminin ard\u0131ndan destanlar dizilir, kimine destan da yetmez. Kiminin ad\u0131 bir p\u0131nara verilir, kimininki bir g\u00f6\u011fe y\u00fckseli\u015f olan da\u011flara. Ses ve ad sahipleri, yeni anlamlara ses ve ad olurlar. Ve bu anlam ak\u0131\u015f\u0131 s\u00fcr\u00fcp gider.<\/p>\n K\u00fcrdistan \u00d6zg\u00fcrl\u00fck M\u00fccadelesi Xwed\u00ee Nav \u00fb Deng olmu\u015f binlerce kahraman\u0131n bulu\u015fma mek\u00e2n\u0131 ve zaman\u0131d\u0131r. Bunlardan biri de Mizg\u00een arkada\u015ft\u0131r. \u00dczerine t\u00fcrk\u00fcler s\u00f6ylenmi\u015f, destanlar yaz\u0131lm\u0131\u015f yi\u011fit bir K\u00fcrt kad\u0131n\u0131d\u0131r Gurbet Ayd\u0131n. \u015eahadetinin 22.y\u0131ld\u00f6n\u00fcm\u00fc olan 11 May\u0131s\u2019ta, sesini ve sesindeki g\u00fczelli\u011fi \u00fclkemize duyurmu\u015f olan t\u00fcm kad\u0131n direni\u015f\u00e7ileri sayg\u0131yla ve sevgiyle an\u0131yorum. K\u00fcrdistan \u00f6zg\u00fcrl\u00fck m\u00fccadelesini tan\u0131mak isteyen herkesin Mizg\u00een yolda\u015f\u0131 tan\u0131mas\u0131 gerekti\u011fine inan\u0131yorum. Kendisi, sesiyle bir \u00f6zg\u00fcrl\u00fck m\u00fcjdesi olmu\u015ftur. Ad\u0131 gibi Mizg\u00een olmu\u015ftur.<\/p>\n Kad\u0131n \u00f6zg\u00fcrl\u00fck m\u00fccadelesinde ilk y\u0131llardan itibaren yerini alan Mizg\u00een arkada\u015f Batman\u2019da do\u011fmu\u015f ve b\u00fcy\u00fcm\u00fc\u015ft\u00fcr. 1982 y\u0131l\u0131nda \u00f6zg\u00fcrl\u00fck m\u00fccadelesiyle tan\u0131\u015fm\u0131\u015f, sempatiyle yakla\u015fm\u0131\u015f ve m\u00fccadele \u00f6nderlerimizden olan Mazlum Do\u011fan arkada\u015fa kuryelik yaparak \u00e7al\u0131\u015fmalara kat\u0131lm\u0131\u015ft\u0131r. Toprak sevgisi ve yurtseverlik duygular\u0131yla \u00e7al\u0131\u015fmalara kat\u0131lan Mizg\u00een arkada\u015f bu \u00e7al\u0131\u015fmalar s\u0131ras\u0131nda de\u015fifre olmu\u015f ve L\u00fcbnan\u2019a \u00e7ekilmi\u015ftir. Mahsum Korkmaz Akademisi\u2019nde askeri e\u011fitimler s\u0131ras\u0131nda yaralanm\u0131\u015f ve k\u0131sa bir s\u00fcre tedavi g\u00f6rm\u00fc\u015ft\u00fcr. Bir s\u00fcre \u00d6nderli\u011fin yan\u0131nda kald\u0131ktan sonra ya\u015f\u0131 k\u00fc\u00e7\u00fck oldu\u011fundan direkt \u00fclke sahas\u0131na de\u011fil, Avrupa \u00e7al\u0131\u015fmalar\u0131na Koma Berxwedan\u2019\u0131n \u00f6rg\u00fctlendirilmesi amac\u0131yla g\u00f6nderilmi\u015ftir.<\/p>\n Avrupa\u2019da cephe faaliyetleri y\u00fcr\u00fct\u00fcrken k\u00fclt\u00fcr sanat \u00e7al\u0131\u015fmalar\u0131nda da yer alm\u0131\u015f, Hunerkom\u2019un kurulmas\u0131nda emek harcam\u0131\u015f, bir kad\u0131n\u0131n y\u00fcre\u011finin ola\u011fan ak\u0131\u015f\u0131nda olan sanatsall\u0131\u011f\u0131 \u00e7al\u0131\u015fmalara katm\u0131\u015f, her y\u00f6nden katk\u0131 sunmu\u015ftur. Mizg\u00een arkada\u015f sesiyle, s\u00f6z\u00fcyle, eylemiyle ve duru\u015fuyla bir\u00e7ok genci etkileyerek \u00f6zg\u00fcrl\u00fck m\u00fccadelesine \u00e7ekmi\u015f, K\u00fcrt insan\u0131n\u0131n ac\u0131l\u0131 ezgilerini, yan\u0131k sesiyle dillendirmi\u015f ve \u00f6zg\u00fcrl\u00fck m\u00fccadelemizin dili olmu\u015ftur. Devrimci sanat\u00e7\u0131l\u0131\u011f\u0131n kimlik ve ki\u015fili\u011fini kendi somutunda temsil etmi\u015ftir.<\/p>\n Sesi \u00e7ok g\u00fczel ve etkileyici oldu\u011fundan sanat \u00e7al\u0131\u015fmalar\u0131nda yer almas\u0131 uygun g\u00f6r\u00fclm\u00fc\u015ft\u00fcr. O ses ve o sesin kayna\u011f\u0131 olan y\u00fcrek, daha b\u00fcy\u00fck anlamlarla \u00f6r\u00fclerek kendini tarihe yazd\u0131racakt\u0131r. Ve bu ger\u00e7ek daha o d\u00f6nemlerde Avrupa \u00e7al\u0131\u015fmalar\u0131nda kendini g\u00f6stermeye ba\u015flam\u0131\u015ft\u0131r. \u00c7\u00fcnk\u00fc Mizg\u00een arkada\u015f\u0131n bilinen en temel \u00f6zelli\u011fi \u00d6nderli\u011fe olan ba\u011fl\u0131l\u0131\u011f\u0131 ve tasfiyeciler kar\u015f\u0131s\u0131ndaki net tavr\u0131d\u0131r. Bu \u00f6zellik, her zaman uyan\u0131k olan bir ak\u0131\u015fkanl\u0131k \u015feklinde m\u00fccadelede Mizg\u00een arkada\u015f\u0131n rengini belirginle\u015ftirecek olan bir \u00f6zellik olarak pratikle\u015fecek ve tarihe ge\u00e7ecektir.<\/p>\n Mizg\u00een arkada\u015f 88 y\u0131l\u0131nda tekrar akademiye d\u00f6nm\u00fc\u015f ve PKK 3. Kongresine delege olarak kat\u0131lm\u0131\u015ft\u0131r. Bir s\u00fcre Rojava\u2019ya kitle \u00e7al\u0131\u015fmalar\u0131nda yer alarak buradaki halk\u0131m\u0131z\u0131 da bu \u00e7al\u0131\u015fmalar s\u00fcresinde tan\u0131m\u0131\u015ft\u0131r. Ve daha \u00f6nceki kitle \u00e7al\u0131\u015fmalar\u0131ndan kaynakl\u0131 tecr\u00fcbeleriyle buradaki birikimlerini birle\u015ftirerek g\u00fc\u00e7l\u00fc bir m\u00fccadele kararl\u0131l\u0131\u011f\u0131yla da\u011flara y\u00f6nelmi\u015ftir.<\/p>\n \u0130lk y\u00fcr\u00fcy\u00fc\u015f\u00fcndeki g\u00f6revi Mardin eyalet koordinat\u00f6rl\u00fc\u011f\u00fcd\u00fcr. Mizg\u00een arkada\u015f pratik zek\u00e2s\u0131 g\u00fc\u00e7l\u00fc, \u00fcslubu etkileyici, ya\u015famdaki duru\u015fuyla \u00e7ekicidir. Hem sanat\u00e7\u0131 hem askeri komutand\u0131r. \u0130lk kad\u0131n eyalet komutan\u0131 olarak g\u00f6rev alm\u0131\u015f olman\u0131n ciddiyetiyle \u00e7al\u0131\u015fmalar\u0131na y\u00fcklenmi\u015f, ald\u0131\u011f\u0131 g\u00f6revin kad\u0131nlar ad\u0131na ve kad\u0131n hareketi ad\u0131na anlam\u0131n\u0131n bilincinde olarak kat\u0131l\u0131m g\u00f6stermi\u015ftir. Eyalet y\u00f6netiminde yer alan di\u011fer arkada\u015flar\u0131n \u015fahadetiyle belli zorlanmalar ya\u015fam\u0131\u015ft\u0131r.\u00a0\u00a01990\u2019da Mardin sorumlusu olarak 4. PKK kongresine kat\u0131lm\u0131\u015ft\u0131r. Bu kongrede sorumlusu oldu\u011fu Mardin eyaletinin prati\u011fi ele\u015ftirilmi\u015f, bu do\u011frultuda kapsaml\u0131 bir \u00f6zele\u015ftiri vermi\u015f ve kongre sonunda 1991 y\u0131l\u0131nda Garzan Eyaletine d\u00fczenlenmi\u015ftir.<\/p>\n Her t\u00fcrl\u00fc \u00e7al\u0131\u015fmaya en aktif kat\u0131lan ve en \u00e7ok rol oynayan arkada\u015flardan biri olan Mizg\u00een arkada\u015f, kad\u0131ndaki g\u00fc\u00e7 potansiyelinin fark\u0131nda olan ve geri toplumsal stat\u00fcs\u00fcnden s\u0131yr\u0131lan K\u00fcrt kad\u0131nlar\u0131n\u0131n \u00f6nc\u00fcl\u00fck rol\u00fc oynayabileceklerinin bilincinde olan bir arkada\u015ft\u0131r. An\u0131s\u0131na ba\u011fl\u0131l\u0131\u011f\u0131n bir gere\u011fi olarak Botan\u2019da ilk kad\u0131n birli\u011fine Mizg\u00een arkada\u015f\u0131n ad\u0131 verilmi\u015ftir. M\u00fctevaz\u0131 ve etkileyici bir ki\u015fili\u011fi olan Mizg\u00een arkada\u015f ilk d\u00f6nemlerde g\u00f6zl\u00fck kullanmas\u0131na ra\u011fmen, d\u00f6nemin \u015fartlar\u0131n\u0131n ve ondaki militanla\u015fma \u0131srar\u0131n\u0131n bir sonucu olarak bir s\u00fcre sonra g\u00f6zl\u00fc\u011f\u00fcnden vazge\u00e7mi\u015ftir. \u00c7\u00fcnk\u00fc kendi can\u0131, ruhu ve bilinci d\u0131\u015f\u0131nda hi\u00e7bir \u015fey ta\u015f\u0131mamaya kararl\u0131d\u0131r. \u00c7\u00fcnk\u00fc art\u0131k y\u00fcrek ve beyin g\u00f6z\u00fc daha iyi g\u00f6rmektedir. \u00c7\u00fcnk\u00fc art\u0131k, \u00f6zg\u00fcrl\u00fck penceresinden bakmaktad\u0131r her \u015feye ve her yere.<\/p>\n 1992 y\u0131l\u0131nda, y\u00fcr\u00fct\u00fclen cephe faaliyetleri denetleme amac\u0131yla Tatvan\u2019a ge\u00e7er. Gitti\u011fi evlerden biri bas\u0131l\u0131r. \u0130hbar olmu\u015ftur ve ev ku\u015fatmaya al\u0131nm\u0131\u015ft\u0131r. Son mermisine kadar sava\u015fan Mizg\u00een arkada\u015f son nefesine kadar \u00e7at\u0131\u015farak kahramanca \u015fehit d\u00fc\u015fm\u00fc\u015f ve K\u00fcrdistan kad\u0131n\u0131n\u0131n \u00f6zg\u00fcrl\u00fck m\u00fccadelesinde onurlu yerini alm\u0131\u015ft\u0131r.<\/p>\n Mizg\u00een\u2019in sesi bug\u00fcn a\u011f\u0131tlarda, t\u00fcrk\u00fclerde ve mar\u015flarda yeniden dillendiriliyor.<\/p>\n Direnen her kad\u0131n\u0131n \u00e7\u0131\u011fl\u0131\u011f\u0131nda, direnen her \u00f6zg\u00fcrl\u00fck a\u015f\u0131\u011f\u0131n\u0131n mermisinde yank\u0131lan\u0131yor Mizg\u00een\u2019in sesi.<\/p>\n Her \u00f6zg\u00fcrl\u00fck sesinde bizler Mizg\u00een\u2019in sesini duyuyoruz.<\/p>\n Sesimizi, xwed\u00ee nav \u00fb deng Mizg\u00eenimizin sesine kat\u0131yoruz.<\/p>\n Ve \u00f6zg\u00fcrl\u00fck t\u00fcrk\u00fclerini yaratacak anlamlara ko\u015fuyoruz.<\/p>\n \n","protected":false},"excerpt":{"rendered":" Dilzar D\u00ceLOK Adland\u0131rmalar\u0131n zihniyet yap\u0131lanmas\u0131n\u0131 yans\u0131tt\u0131\u011f\u0131 g\u00fczel K\u00fcrt\u00e7emizde neredeyse her s\u00f6ylem bir kan\u0131t olmaktad\u0131r Mezopotamya toplumsall\u0131\u011f\u0131na. K\u00fcrtler \u00fcnl\u00fc ki\u015filere \u201cXwed\u00ee Nav \u00fb Deng\u201d derler. Anl\u0131 \u015fanl\u0131 olmak anlat\u0131lsa da, birebir \u00e7evirisi ad\u0131 ve sesi olan anlam\u0131ndad\u0131r. Sesini duyurmu\u015f olmay\u0131 anlat\u0131r. Ki\u015finin sesini duyurmas\u0131, o ki\u015finin ad\u0131n\u0131 duyurmas\u0131n\u0131n y\u00f6ntemlerinden biri kabul edilir. […]<\/p>\n","protected":false},"author":1,"featured_media":756,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-755","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-ve-sanat"],"_links":{"self":[{"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/posts\/755","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=755"}],"version-history":[{"count":1,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/posts\/755\/revisions"}],"predecessor-version":[{"id":757,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/posts\/755\/revisions\/757"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/media\/756"}],"wp:attachment":[{"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=755"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=755"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=755"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}