{"id":951,"date":"2023-09-09T18:04:52","date_gmt":"2023-09-09T18:04:52","guid":{"rendered":"https:\/\/tirki.komunar.net\/?p=951"},"modified":"2023-09-09T18:04:52","modified_gmt":"2023-09-09T18:04:52","slug":"ozgur-yasamin-yaraticilari","status":"publish","type":"post","link":"https:\/\/tirki.komunar.net\/?p=951","title":{"rendered":"\u00d6ZG\u00dcR YA\u015eAMIN YARATICILARI"},"content":{"rendered":"<p><span style=\"color: #ff0000;\"><strong>Zerde\u015ft\u00a0\u00a0 Dersim\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/span><\/p>\n<p>Halklardan bahsetti\u011fimizde, baz\u0131 \u00f6zelliklerinin \u00f6n plana \u00e7\u0131kt\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcr\u00fcz.\u00a0 \u00d6zellikle toplumsall\u0131k konusu, halklar\u0131n \u00f6zelli\u011fini belirlemede en temel rol\u00fc oynar.\u00a0 Tarihle birlikte olu\u015fa gelen toplumsall\u0131\u011fa yak\u0131ndan bakt\u0131\u011f\u0131m\u0131zda, \u00e7e\u015fitli ya\u015fam \u00f6\u011felerini i\u00e7inde bar\u0131nd\u0131rd\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcr\u00fcz. \u0130nan\u00e7 sistemlerinden tutal\u0131m, ahlaki politik yap\u0131lara, ekonomi- \u00f6z savunma \u00f6rg\u00fctlenmelerden, insan- do\u011fa ili\u015fkilerine dek\u2026 Geni\u015f bir yelpazede \u00f6r\u00fcl\u00fcr ya\u015fam, toplumsall\u0131kla birlikte. Ya\u015fama ne kadar anlam bi\u00e7ilirse, bir nevi toplumsall\u0131kta o derece kutsanm\u0131\u015f olur.<\/p>\n<p>Toplumsall\u0131k, \u00f6zellikle Ortado\u011fu co\u011frafyas\u0131nda hep en \u00f6nemli g\u00fc\u00e7 ve moral kayna\u011f\u0131 g\u00f6r\u00fclm\u00fc\u015f, ona tanr\u0131sall\u0131k atfedilmi\u015f ve yer yer kurbanlar adanm\u0131\u015ft\u0131r. En de\u011ferli varl\u0131klar\u0131 olan \u00e7ocuklar\u0131n\u0131 bile feda edilmesinden bile geri durulmam\u0131\u015ft\u0131r. Peki neden?<\/p>\n<p>Kendi \u00f6z varl\u0131klar\u0131 olan \u00e7ocuklar\u0131n\u0131n bile kurban verilmesinin \u00fcst\u00fcnde g\u00f6r\u00fclen bu g\u00fc\u00e7 \u2013 yani toplumsall\u0131k, neye dayan\u0131r. Hele hele kapitalizmin en temel silah\u0131 olan liberalizmin her ge\u00e7en g\u00fcn ya\u015fam\u0131n i\u00e7ini bo\u015faltt\u0131\u011f\u0131, i\u011fdi\u015f etti\u011fi ve \u00f6zellikle de toplumsall\u0131\u011f\u0131 parampar\u00e7a etti\u011fi bir d\u00f6nemden ge\u00e7ti\u011fimizi g\u00f6z \u00f6n\u00fcnde bulundurdu\u011fumuzda, toplumsall\u0131\u011f\u0131 anlamak ve olu\u015fturmak en temel hakikat olmaktad\u0131r.<\/p>\n<p>Hakikat farkl\u0131 tarz ve y\u00f6ntemlerle dile gelse de hepsinin \u00f6z\u00fcnde toplumsall\u0131k oldu\u011fu g\u00f6r\u00fcl\u00fcr. Toplumsall\u0131ktan ayr\u0131 kurgulanan felsefe, din, mitolojik, bilimsel ve sanatsal y\u00f6ntemler hakikati vermekten uzakt\u0131rlar. Sadece bo\u015f bir safsatadan ibarettirler. Toplumsall\u0131k ad\u0131na \u00f6r\u00fclen ya\u015fam yani her g\u00fcn defalarca tekrarlanan bu ger\u00e7eklik ise; kan ve ac\u0131 ad\u0131na bu co\u011frafyada ya\u015fanmaktad\u0131r.\u00a0 D\u00fcnyan\u0131n neresinde g\u00f6r\u00fclm\u00fc\u015ft\u00fcr. Cay\u0131r cay\u0131r yanarken beden ve yan\u0131 ba\u015f\u0131nda Dicle t\u00fcm heybeti ve co\u015fkusuyla akarken, hangi irade ve g\u00fc\u00e7t\u00fcr ki o gen\u00e7 bedeni suya itmeyen, bedeni ve i\u00e7indeki o alevi s\u00f6nd\u00fcrmeyen\u2026 Ruhun ar\u0131nmas\u0131, irade ve \u00f6zg\u00fcrl\u00fckte \u0131srar, g\u00fc\u00e7l\u00fc anlam aray\u0131\u015f\u0131\u2026 Belki de daha bir\u00e7ok kelime s\u0131ralanabilir ama hepsi de ger\u00e7e\u011fin sadece k\u00fc\u00e7\u00fck bir k\u0131sm\u0131n\u0131 a\u00e7\u0131klamaya yeterdir. Tarihsel- toplumsal ya\u015fam i\u00e7inde kurgulanan anlam aray\u0131\u015f\u0131 daha derinlerdedir, orta do\u011fu co\u011frafyas\u0131nda.<\/p>\n<p>Bu co\u011frafya, onlarca inanca be\u015fiklik etmi\u015ftir. D\u00fcr\u00fcst ve samimice\u2026 Arkas\u0131nda binlerce havari, m\u00fcmin, sofi, inan\u00e7l\u0131 y\u00fcr\u00fcm\u00fc\u015ft\u00fcr. \u00c7ok\u00e7a direnilmi\u015ftir. Orman kuytuluklar\u0131ndan, \u00e7\u00f6l derinliklerine, da\u011f ba\u015flar\u0131na\u2026 Yer yer ate\u015fler yak\u0131lm\u0131\u015ft\u0131r. Ate\u015f k\u00fcllerinin yan\u0131 ba\u015f\u0131nda en derin tart\u0131\u015fmalara girilmi\u015ftir. Yeri geldi\u011finde halaylara durulmu\u015ftur ve sava\u015f\u0131lm\u0131\u015ft\u0131r da toplumsall\u0131\u011f\u0131na, \u00f6zg\u00fcrl\u00fc\u011f\u00fcne bir sald\u0131r\u0131 olundu\u011funda\u2026<\/p>\n<p>\u00c7\u00fcnk\u00fc toplumsall\u0131\u011f\u0131n oldu\u011fu yerde ya\u015fam vard\u0131r\u2026 Ortak sofralarda kurulan ya\u015fam,\u00a0 emek vard\u0131r. Birikim vard\u0131r, \u00fcretim vard\u0131r. Yarat\u0131lan bir k\u00fclt\u00fcr vard\u0131r, dil vard\u0131r. Ortakla\u015fmalar vard\u0131r. \u00a0\u0130yilik ve g\u00fczellik vard\u0131r\u2026 Liberalizm ideolojisini yayan, kurumsalla\u015ft\u0131ran kapitalist kesim ise, azami kar h\u0131rs\u0131yla, her \u015feye sald\u0131r\u0131r, talan eder, i\u00e7ini bo\u015falt\u0131r\u2026 Sat\u0131l\u0131\u011fa \u00e7\u0131karmad\u0131\u011f\u0131 hi\u00e7 bir \u015fey kalmaz geride. Her \u015fey kapitalist kesim i\u00e7in bir al\u0131m- sat\u0131m metas\u0131d\u0131r. Uygarl\u0131\u011f\u0131n temellerinin at\u0131ld\u0131\u011f\u0131ndan beri her iktidar g\u00fcc\u00fcn\u00fcn, ilk d\u00fc\u015fman belleyece\u011fi yer ve sava\u015f\u0131lacak alan\u0131n toplumsall\u0131\u011f\u0131n g\u00fc\u00e7l\u00fc oldu\u011fu alanlar olmas\u0131 elbette tesad\u00fcfi de\u011fildir. Kendi varl\u0131klar\u0131n\u0131 ve art\u0131 \u00fcr\u00fcnlerini, bu alanlardan \u00e7alarak zorla, devlet ve ona ba\u011fl\u0131 di\u011fer sald\u0131r\u0131 arg\u00fcmanlar\u0131n\u0131 da arkas\u0131na alarak ger\u00e7ekle\u015ftirmeleri s\u00f6z konusudur. Yani bir asalak gibi toplumu kemirerek varl\u0131\u011f\u0131n\u0131 s\u00fcrd\u00fcrmektedir. Ve giderekten bir kanser uru gibi toplumun i\u00e7inde ve \u00fczerinde b\u00fcy\u00fcmektedir. Bu durum, ayn\u0131 zamanda ya\u015fam\u0131n s\u00fcrd\u00fcr\u00fclemezli\u011fi a\u00e7\u0131s\u0131ndan da giderek b\u00fcy\u00fck bir tehlike olmaktad\u0131r.<\/p>\n<p>K\u00fcrtler Ortado\u011fu co\u011frafyas\u0131n\u0131n her zaman en kadim halklar\u0131ndan biri ola gelmi\u015ftir. Dolay\u0131s\u0131yla sava\u015flara da \u00e7ok\u00e7a maruz kalm\u0131\u015ft\u0131r. Yeri geldi\u011finde kendi i\u00e7indeki i\u015fbirlik\u00e7i- ihanet\u00e7i \u00fcst s\u0131n\u0131fa ra\u011fmen; uygarl\u0131k kurmu\u015ftur yeri geldi\u011finde sava\u015f\u0131lm\u0131\u015ft\u0131r ve da\u011f ba\u015flar\u0131 mesken belirlenmi\u015ftir. \u00a0Ama sonu\u00e7ta, bir \u015fekilde,\u00a0 neolitik k\u00fclt\u00fcr\u00fcn yarat\u0131c\u0131s\u0131 ve toplumsall\u0131\u011f\u0131 \u00f6ren en \u00f6nemli halklardan biri olarak hep var olagelmi\u015ftir. \u00a0Bu \u00f6zelli\u011finden dolay\u0131d\u0131r ki topraklar\u0131nda hi\u00e7 sava\u015f eksik olmad\u0131. Her defas\u0131nda \u00e7e\u015fitli k\u0131r\u0131mlara k\u00fclt\u00fcr k\u0131r\u0131m- toplumk\u0131r\u0131m- fiziki-k\u00fclt\u00fcrel her t\u00fcrl\u00fc soyk\u0131r\u0131mlara\u2026 Maruz kalm\u0131\u015ft\u0131r.<\/p>\n<p>\u00d6nderlik 70\u2019lerin ba\u015flar\u0131 zor ko\u015fullarda etraf\u0131na toplad\u0131\u011f\u0131 birka\u00e7 ki\u015finin kula\u011f\u0131na \u2018K\u00fcrdistan s\u00f6m\u00fcrgedir\u2019 tezini f\u0131s\u0131ldad\u0131\u011f\u0131nda, kim bilebilirdi ki d\u00fcnya tarihi seyrinin de\u011fi\u015fece\u011fini\u2026 Art\u0131k PKK ve \u00d6nderlik ger\u00e7e\u011fi,\u00a0 sadece b\u00f6lge halklar\u0131na de\u011fil giderek t\u00fcm d\u00fcnya halklar\u0131na da bir umut olmaktad\u0131r.<\/p>\n<p>Evrensel bir d\u00fc\u015f\u00fcnceye do\u011fru yol al\u0131rken, ilk at\u0131lan ad\u0131m, ortaya serilen kuram, at\u0131lan ilk merminin, c\u00fcretin ve ba\u015fkald\u0131r\u0131n\u0131nda sebep ve nedenlerini iyi g\u00f6rebilmek gerekir.\u00a0 \u2018K\u00fcrdistan s\u00f6m\u00fcrgedir\u2019\u00a0\u00a0 denildi\u011finde, sadece ekonomik olarak s\u00f6ylenmemi\u015ftir ebette. Hi\u00e7bir co\u011frafyan\u0131n, halk\u0131n ya\u015fayamayaca\u011f\u0131 t\u00fcrden bir s\u00f6m\u00fcrge t\u00fcr\u00fcd\u00fcr. Ve bundan dolay\u0131 da biriciktir, tekildir.\u00a0 Belki d\u00fcnya \u00fczerinde bir benzeri olmam\u0131\u015ft\u0131r, ya\u015fanmam\u0131\u015ft\u0131r. S\u00f6m\u00fcrge kavram\u0131 \u00fczerine yo\u011funla\u015fmalar art\u0131nca, tart\u0131\u015fmalar ve ara\u015ft\u0131rmalar ilerledik\u00e7e, g\u00f6r\u00fclm\u00fc\u015ft\u00fcr ki insan bir b\u00fct\u00fcn hakikatini, yolunu yordam\u0131n\u0131, amac\u0131n\u0131 anlam\u0131n\u0131 kaybetmi\u015f durumdad\u0131r. Hele K\u00fcrtl\u00fck ka\u00e7\u0131n\u0131lmas\u0131 gereken, kendisine ihanet ettirilmek istenen bir ger\u00e7eklik durumundad\u0131r. Toplumsall\u0131k ve insan\u0131n \u00f6ld\u00fc\u011f\u00fc bir mezar sessizli\u011fini ya\u015famaktayd\u0131 adeta K\u00fcrdistan co\u011frafyas\u0131\u2026<\/p>\n<p>Fakat son savunmalarla birlikte, d\u00fc\u015f\u00fcnceler rafine hale gelmi\u015ftir. Art\u0131k s\u00f6m\u00fcrge insan gitmi\u015f yerine yeni \u00f6zg\u00fcr insan yarat\u0131lm\u0131\u015ft\u0131r.\u00a0 Sava\u015fan, fedai bir militan hale gelinmi\u015ftir. Hakikatin kendisi de tam da burada gizlidir. Kendini bulan, kendini bilen, kendini tan\u0131yarak evreni de tan\u0131maya do\u011fru yol al\u0131nmaya ba\u015flanm\u0131\u015ft\u0131r. Yani hakikat \u00f6nce insanda, insan\u0131n kendini bilmesiyle birlikte, a\u00e7\u0131\u011fa \u00e7\u0131kmaktad\u0131r. Tabii bu durum s\u00f6m\u00fcrge ki\u015fili\u011finin tam z\u0131tt\u0131 durumudur. S\u00f6m\u00fcrge ki\u015filik parampar\u00e7ad\u0131r. Duyguda ve d\u00fc\u015f\u00fcncede parampar\u00e7ad\u0131r. \u00d6l\u00fcd\u00fcr, taklittir, yapayd\u0131r, sa\u011fl\u0131ks\u0131z ve anlams\u0131zd\u0131r, \u00f6zcesi neye benzedi\u011fi belli olmayan \u00e7irkin bir varl\u0131kt\u0131r. Oysa kendini tan\u0131yan insan bedenini tan\u0131r, ruhunu ve d\u00fc\u015f\u00fcncesini bilir\u2026 Korkular\u0131n\u0131 ve korkusuzlu\u011funu, s\u0131n\u0131r\u0131n\u0131 ve s\u0131n\u0131rs\u0131zl\u0131\u011f\u0131n\u0131\u2026 Daha \u00e7okta insanda dile gelen u\u00e7urum k\u0131y\u0131s\u0131ndayken kanatlanmas\u0131, mucizeye do\u011fru yol almas\u0131 ger\u00e7ekli\u011fidir insan\u0131 tan\u0131tmaya iten. \u0130nsan\u0131n neler yapaca\u011f\u0131 s\u0131n\u0131rs\u0131zd\u0131r. Ve bu ger\u00e7eklik defalarca PKK, \u015eehitler ve \u00d6nderlik ger\u00e7e\u011finde dile gelmi\u015ftir. D\u00fcnyan\u0131n neresinde g\u00f6r\u00fclm\u00fc\u015ft\u00fcr ki bir beden de\u011fil, d\u00f6rt beden ve ayn\u0131 anda birden, kendini ate\u015f topu yapmas\u0131. Topluca ve birbirine kenetlenerek. Hem de biri birini dahi b\u0131rakmadan. G\u00fc\u00e7l\u00fc bir inanma,\u00a0 ba\u011flanmadan ba\u015fka hangi durum izah edebilir bu ger\u00e7ekli\u011fi\u2026 Ya da beden erirken canl\u0131 canl\u0131 diri diri\u2026 Son s\u00f6zde dahi dile gelen \u2018kan d\u00f6kme zaman\u0131, kan d\u00f6kme zaman\u0131d\u0131r yolda\u015flar\u2026 Bedel verilmeden, feda etmeden bir \u015feyleri, buna canda dahil, yol al\u0131namayaca\u011f\u0131n derin bilincidir\u2026 9 metrekare 23 y\u0131l darac\u0131k bir h\u00fccredeyken yarat\u0131lan yeni insanl\u0131k herhalde daha az de\u011fildir, insan\u0131n mucizevi bir varl\u0131k oldu\u011funu a\u00e7\u0131klamada.<\/p>\n<p>\u0130nsan demi\u015fken elbette sadece biyolojik varl\u0131k kastedilmiyor. \u0130nsan\u0131n g\u00f6r\u00fcnen bedeni, atom ve molek\u00fcllerden, h\u00fccrelerden olu\u015fan yap\u0131s\u0131ndan \u00f6te bir de toplumsal yap\u0131s\u0131d\u0131r insan\u0131 hakikatli varl\u0131\u011fa iten. Toplumsall\u0131k bir kenara b\u0131rak\u0131ld\u0131 m\u0131 insandan \u00f6te ayr\u0131 bir canl\u0131 tan\u0131mlanm\u0131\u015f olur.\u00a0 \u0130nsan\u0131 insan yapan zaten toplumsall\u0131k \u00f6zelli\u011fidir. Yani toplumsall\u0131k, insan\u0131n bedenin bir par\u00e7as\u0131 olmaktad\u0131r. Beyin gibi, dil gibi, kalp gibi\u2026 Belki de hapsinden daha fazlas\u0131.\u00a0 O y\u00fczden bedeni, ruhu, beyni korumak toplumsall\u0131\u011f\u0131 korumaktan ge\u00e7er. Etrafta kirlilik, \u00e7irkinlik yalan ve hileler de\u011fil ki bize uzak, etki etmez diye d\u00fc\u015f\u00fcn\u00fclmemeli; tam tersi direk olarak insana olumlu ve olumsuz etki eder. \u00a0Atfedilen olumsuzluklar, kapitalizmin yalan ve hileleridir. \u2018an\u0131 ya\u015fa\u2019 ya da \u2018her koyun kendi baca\u011f\u0131nda as\u0131l\u0131r\u2019, \u2018gemisini kurtaran kaptan misali\u2019 s\u00f6zlerinde dile gelen yaln\u0131zca sahte ya\u015fam s\u00f6zleridir. T\u00fcm deneyim ve ara\u015ft\u0131rmalar g\u00f6steriyor ki milyonlarca y\u0131lda olu\u015fan dil yap\u0131s\u0131, birike birike olu\u015fan ve aktar\u0131lan bilgi- k\u00fclt\u00fcr-ya\u015fam deneyimleri, t\u00fcm tecr\u00fcbe ve yarat\u0131mlar\u2026 \u0130nsan\u0131n \u015fekillenmesinde belirleyici olmu\u015ftur. Bug\u00fcn hastal\u0131klar\u0131n bir\u00e7o\u011funa bakt\u0131\u011f\u0131m\u0131zda bile toplumsuz ya da toplumu par\u00e7alanan insanlar\u0131n \u00e7ok rahat kanser ve daha bir\u00e7ok t\u00fcrden hastal\u0131\u011fa yakaland\u0131\u011f\u0131 g\u00f6r\u00fclmektedir. Yani toplumsall\u0131\u011f\u0131n insanla direk ba\u011flant\u0131s\u0131 g\u00f6r\u00fclmektedir. Bir b\u00fct\u00fcn, her y\u00f6n\u00fcyle insan ele al\u0131nd\u0131\u011f\u0131nda ancak insan sa\u011fl\u0131kl\u0131, anlaml\u0131 bir varl\u0131k olabilir. Ve varl\u0131\u011f\u0131n kendi bilincine varmas\u0131 da bilinebildi\u011fi kadar\u0131yla sadece insanda dile geldi\u011finden;\u00a0 insan\u0131 tarih ve toplumla birlikte a\u00e7\u0131klamak en do\u011fru yol ve y\u00f6ntem olmaktad\u0131r. Zaten etik ve esteti\u011fin \u00f6z\u00fc de burada yatmaktad\u0131r.<\/p>\n<p>\u0130nsan bir kere kendi bilincine vard\u0131 m\u0131 ve kendi oldu mu en b\u00fcy\u00fck ordularla ba\u015f edecek bir duruma eri\u015fmi\u015f olur. En b\u00fcy\u00fck yarat\u0131mlar\u0131 a\u00e7\u0131\u011fa \u00e7\u0131kar\u0131r. En b\u00fcy\u00fck toplumsall\u0131klar\u0131 kurar, en b\u00fcy\u00fck fikirleri, c\u00fcretkar s\u00f6zlerle dile getirir. Sanat\u0131 boyundurluk alt\u0131nda kurtar\u0131r. Felsefeyi k\u00f6lelikten, bilimi putlardan ar\u0131nd\u0131r\u0131r. Yani ya\u015fam\u0131 anlaml\u0131 k\u0131lmak, \u00f6zg\u00fcr k\u0131lmak i\u00e7in her t\u00fcrl\u00fc \u00e7abay\u0131 g\u00f6stermekten geri durmaz. Binlerce \u015fehitler bunun \u00f6rnekleriyle doludur. PKK \u015fehitler partisidir. PKK zafere y\u00fcr\u00fcyenlerin partisidir. Bu durumu her alanda g\u00f6rmekteyiz. Daha Apocu grup a\u015famas\u0131ndayken bile, Haki ve Kemal arkada\u015flar\u0131n \u015fahs\u0131nda a\u00e7\u0131\u011fa \u00e7\u0131kan derin anlam verme ve pratikle\u015fmelerinde g\u00f6rmekteyiz. Heval Kemal Pir\u2019in a\u011fz\u0131nda d\u00f6k\u00fclen \u2018T\u00fcrk ve b\u00f6lge halkalar\u0131n kurtulu\u015fu, K\u00fcrt halk\u0131n\u0131n kurtulu\u015fundan ge\u00e7er s\u00f6z\u00fc\u2019 b\u00fcy\u00fck bir do\u011fruyu dile getirecektir. Bug\u00fcn \u00e7ok iyi biliniyor ki K\u00fcrdistani olan ayn\u0131 zamanda evrenseldir. \u0130lk toplumsall\u0131\u011f\u0131n, ilk evcille\u015ftirmelerin, tanr\u0131\u00e7alar\u0131n, ya\u015fam\u0131n birlikte do\u011faya dost, kom\u00fcnce kuruldu\u011fu alanlar\u0131n ba\u015f\u0131nda F\u0131rat ve Dicle aras\u0131nda, Mezopotamya alan\u0131nda geli\u015fmesi art\u0131k herkes\u00e7e inan\u0131lan bir do\u011fru haline gelmi\u015ftir.<\/p>\n<p>Bu y\u00fczden bu co\u011frafya, \u00e7ok sava\u015f g\u00f6rm\u00fc\u015ft\u00fcr. Uygarla\u015fmayan, s\u0131n\u0131fla\u015fmayan, devletle\u015fmeyen \u00a0her t\u00fcrl\u00fc etnisite , a\u015firet, toplum, inan\u00e7, d\u00fc\u015f\u00fcnce,\u00a0 kad\u0131n, insan\u2026 Hedef haline gelmi\u015ftir. \u0130hanet\u00e7isi \u00e7ok oldu\u011fu gibi, direni\u015f\u00e7isi de \u00e7ok olmu\u015ftur\u2026 May\u0131s ay\u0131n\u0131 ya\u015fad\u0131\u011f\u0131m\u0131z \u015fu g\u00fcnler ayn\u0131 zamanda, PKK tarihinde de \u00f6zel bir anlam ifade etmektedir. May\u0131s ay\u0131, \u2018\u015eehitler ay\u0131\u2019, 18 May\u0131s, \u2018\u015eehitler g\u00fcn\u00fc olmaktad\u0131r\u2019. Haki Karer \u015fahs\u0131nda, \u00d6nderlik \u00e7izgisinde on binlerce \u015fehidi ile PKK, \u015fehitler partisi olmaktad\u0131r. Halktan, gen\u00e7likten, kad\u0131ndan, farkl\u0131 inan\u00e7 topluluklar\u0131ndan, farkl\u0131 halklardan\u2026\u00a0 Bir \u00e7ok insan bu kutsal insanl\u0131k m\u00fccadelesi i\u00e7in \u015fehit d\u00fc\u015fm\u00fc\u015ft\u00fcr. \u0130nsanl\u0131k ve toplumsall\u0131k ad\u0131na ya\u015fam dahi,\u00a0 her \u015feyini m\u00fccadeleye katm\u0131\u015f, rengini ve sesini vermi\u015ftir. Bundan dolay\u0131d\u0131r ki devlet d\u0131\u015f\u0131 ve her t\u00fcrl\u00fc iktidardan uzak bir ya\u015fam\u0131 \u015fimdiden kurarak ya\u015famaktad\u0131r. \u00d6zg\u00fcr ya\u015fam ad\u0131na t\u00fcm yetenekler PKK \u015fahs\u0131nda a\u00e7\u0131\u011fa \u00e7\u0131kmaktad\u0131r. Burada,\u00a0 bu topraklarda tekrardan insanl\u0131k ve toplumsall\u0131k aya\u011fa kalkacak. \u00c7\u00fcnk\u00fc her hazine, her g\u00fczellik kaybedildi\u011fi yerde aran\u0131l\u0131r. Her bitki kendi k\u00f6kleri \u00fczerinde ye\u015ferir\u2026<\/p>\n<p>\u00d6nderlik \u00e7izgisini korumak ve K\u00fclt\u00fcr- sanat \u00e7izgimizi geli\u015ftirmek ad\u0131na bir\u00e7ok de\u011ferli \u015fehadetler ya\u015fanm\u0131\u015ft\u0131r. T\u0131pk\u0131 di\u011fer \u00e7al\u0131\u015fma ve alanlarda oldu\u011fu gibi, K\u00fclt\u00fcr- sanat alan\u0131nda da farkl\u0131 yer ve zamanlarda olmak \u00fczere \u00e7e\u015fitli halk ve inan\u00e7lardan bir\u00e7ok \u015fehadet durumu olmu\u015ftur.<\/p>\n<p>Bir elde silah, bir elde saz, gitar, davul, bilur,m\u0131z\u0131ka, \u00a0kalem, f\u0131r\u00e7a\u2026sava\u015f\u0131lm\u0131\u015ft\u0131r bu da\u011flarda\u2026 Canl\u0131- cans\u0131z ayr\u0131m\u0131na tabi tutulmadan; da\u011f\u0131na, ta\u015f\u0131na, topra\u011f\u0131na, insan\u0131na sanat yap\u0131lm\u0131\u015ft\u0131r. K\u0131lamlar, stranlar s\u00f6ylenmi\u015ftir. Oyunlar oynanm\u0131\u015ft\u0131r,\u00a0 setler kurulmu\u015f foto\u011fraf\u0131n ve kameran\u0131n deklan\u015f\u00f6r\u00fcne bas\u0131lm\u0131\u015ft\u0131r.<\/p>\n<p>Yeri geldi\u011finde anlaml\u0131 bir g\u00fcnde, en komplocu lanet g\u00fcnlerinde direnilmi\u015ftir. Ate\u015f topu olunmu\u015ftur. ve yeri geldi\u011finde en dayan\u0131lmaz yaln\u0131zl\u0131klarda, ac\u0131larda kalemin, d\u00fc\u015f\u00fcncenin g\u00fcc\u00fcne s\u0131\u011f\u0131n\u0131lm\u0131\u015ft\u0131r. \u015eiirler yaz\u0131lm\u0131\u015ft\u0131r en dayan\u0131lmaz anlara inat, karanl\u0131klar\u0131 ayd\u0131nl\u0131klara \u00e7evirmek ad\u0131na.<\/p>\n<p>Bazen adlar\u0131 Mizgin olmu\u015ftur, Sefqan olmu\u015ftur, Hogir,Serhat, Delila, Viyan, Canda, Ronahi,Delil,Osman, Ebdul Samet\u2026 Bazen Sarya, Yekta, Hevi,Da\u011f\u0131stan\u2026Bazen Bawer, Bager\u2026Xelil, Mazdek, Lokman,Bawer \u2026 Bu da\u011flar, bu co\u011frafya \u00e7ok\u00e7a yeni ses duymu\u015ftur, yeni renkler, t\u0131n\u0131, his, anlam d\u00fcnyas\u0131nda hakikate yakla\u015fm\u0131\u015ft\u0131r. Sanat de\u011fil midir ki ac\u0131lar\u0131 dindiren, yalanlar\u0131, karanl\u0131klar\u0131 da\u011f\u0131tan, ayd\u0131nlatan\u2026 O soylu eylem. Ya\u015fam \u00f6zg\u00fcr yarat\u0131lmad\u0131ktan, ya\u015fan\u0131lmaktan sonra ne i\u015fe yarar ki! Sadece yol al\u0131rken a\u011f\u0131rla\u015ft\u0131r\u0131r bir y\u00fck gibi. Bundand\u0131r belki de en fazla da sanatt\u0131r metafizi\u011fe yak\u0131n olan. Ayn\u0131s\u0131 de\u011fil fakat do\u011fan\u0131n i\u00e7indedir ve ayn\u0131 zamanda d\u0131\u015far\u0131s\u0131d\u0131r da\u2026 S\u0131n\u0131rs\u0131z ve sonsuz in\u015fa edilen bir ger\u00e7eklik. \u0130nsan\u0131n var olandan \u00f6tesi; daha \u00e7ok gizem, hayal, merak, idea, g\u00fczel ya\u015fam, anlam aray\u0131\u015f\u0131\u2026<\/p>\n<p>\u00d6zg\u00fcr insanla s\u0131n\u0131rs\u0131z d\u00fc\u015f g\u00fcc\u00fcne ula\u015fan insan, bir\u00e7ok yenili\u011fi de PKK i\u00e7inde geli\u015ftirmi\u015ftir. Tabi bunlar\u0131 ilk \u00f6nce k\u00f6klerine ula\u015fmak isteyen, k\u00f6kleri \u00fczerinde ye\u015fermek isteyenler ba\u015farm\u0131\u015ft\u0131r.<\/p>\n<p>Da\u011f sinemas\u0131 denilince ilk akla gelecek isim \u015f\u00fcphesiz Xelil Da\u011f\u2019d\u0131r\u2026\u00a0 Soy ismi \u2018Uysal\u2019 olan, Xelil arkada\u015f da\u011flara a\u015f\u0131k oldu\u011fundan, sonras\u0131nda soy ismini \u2018Da\u011f\u2019 olarak de\u011fi\u015ftirir. Yani k\u00f6kleri \u00fczerinde y\u00fckselmek, \u00a0belki de bu k\u00fc\u00e7\u00fck fakat toplum ve sanat i\u00e7in b\u00fcy\u00fck ad\u0131mla, tarih sahnesine ad\u0131m atm\u0131\u015f olur. Sinemaya evrensel anlamda yeni bir soluk kazand\u0131ran Xelil Da\u011f arkada\u015f; var ola gelen sinema anlay\u0131\u015f\u0131nda i\u00e7erik ve bi\u00e7im y\u00f6n\u00fcnden farkl\u0131l\u0131klar yaratarak yeni bir sinema alan\u0131n\u0131 yani, Da\u011f sinemas\u0131n\u0131 geli\u015ftirmi\u015ftir. Kameras\u0131yla gerillay\u0131, eylemini,\u00a0 onlar\u0131n anlam aray\u0131\u015f\u0131n\u0131, kendisiyle birlikte yeni \u00f6zg\u00fcr toplumu yaratma s\u00fcrecini\u2026 Ve daha bir\u00e7ok konuyu kameras\u0131na alabilmi\u015ftir, foto\u011fraflam\u0131\u015ft\u0131r\u2026 Alamad\u0131klar\u0131n\u0131 g\u00f6nl\u00fcne, kalbine nak\u015fetmi\u015ftir\u2026 \u015eiirlerle ve \u00f6yk\u00fclerle dile getirmi\u015ftir\u2026 Yeri geldi\u011finde bir bas\u0131nc\u0131 gibi olaylar\u0131 an\u0131 an\u0131na, s\u0131ca\u011f\u0131 s\u0131ca\u011f\u0131n\u0131 kaydetmi\u015ftir. Yeri geldi\u011finde yolda\u015f sofralar\u0131na konuk olmu\u015f aralar\u0131nda bir\u00e7ok arkada\u015f\u0131 g\u00fcl\u00fc\u015fleriyle, stranlar\u0131yla, oyunlar\u0131yla\u2026 K\u0131saca bir b\u00fct\u00fcn\u00fcyle kayd etmi\u015ftir. Bundan dolay\u0131 Halil Da\u011f yeri geldi\u011finde sinemac\u0131, foto\u011fraf\u00e7\u0131 olmu\u015ftur. Yeri geldi\u011finde edebiyat\u00e7\u0131, \u015fair, bas\u0131n emek\u00e7isi olmu\u015ftur. Gerilla olmu\u015ftur, militan olmu\u015ftur; ama her \u015feyden \u00f6ncede yolda\u015f olabilmi\u015ftir. Bu da\u011flara, topra\u011f\u0131na, suyuna, insanlar\u0131na, yana ba\u015f\u0131nda sava\u015fanlara\u2026.Avrupa\u2019da b\u00fcy\u00fcd\u00fc\u011f\u00fc , etkisinde kald\u0131\u011f\u0131 kapitalist ya\u015fam\u0131 kusarcas\u0131na ya\u015famas\u0131n\u0131 bilmi\u015ftir. Bir\u00e7ok filmde yer alan, onlar\u0131 y\u00f6neten Xelil arkada\u015f (Tirej, Ber\u00eetan, L\u00eanusa Botan, Filmesk\u00ean Ava Z\u00ea, Dema Jin H\u00eaz b\u0131ke, Klamek J\u0131 Zagros\u00ea, Nepeniy\u00ea R\u00fbye me\u2026) \u00a0en son Bak\u00fbr\u2019 daki gerilla ya\u015fam\u0131n\u0131 kaydetmek amac\u0131yla A\u011fr\u0131 da\u011f\u0131 eteklerinde ba\u015flataca\u011f\u0131 yolculu\u011fu yar\u0131m kalm\u0131\u015f, Botan\u2019da 3 arkada\u015fla birlikte \u015fehit d\u00fc\u015fm\u00fc\u015ft\u00fcr. Devrim sinemas\u0131n\u0131n mihenk ta\u015flar\u0131ndan biri olmu\u015ftur\u2026 Sonras\u0131nda devrim sinemas\u0131n\u0131 geli\u015ftireceklere hep \u00f6rnek ve \u0131\u015f\u0131k olmay\u0131 bilmi\u015ftir.<\/p>\n<p>Kendilerine \u015e\u0131rnex \u00e7al\u0131\u015fma grubu ismini takan ve \u00e7al\u0131\u015fmalar\u0131n giderek b\u00fcy\u00fcmesinden sonra ad\u0131n\u0131 \u015e\u0131rnex \u00c7al\u0131\u015fma Grubu Derne\u011fi olarak de\u011fi\u015ftiren ve yurtsever gen\u00e7lerden olu\u015fan bir grup;\u00a0 sanattan, edebiyata, \u00e7e\u015fitli panel, konser, \u00a0seminer ve e\u011fitim \u00e7al\u0131\u015fmalar\u0131ndan, film g\u00f6sterimlerine eylem ve \u00f6rg\u00fctlenmelere kadar bir fiil \u00e7al\u0131\u015fma \u00f6rg\u00fctlemekteydi. 2015 s\u00fcreciyle devam eden \u00f6z y\u00f6netim direni\u015flerinde elbette ki kendilerine \u015e\u0131rnex \u00e7al\u0131\u015fma grubu diyen bu yurtsever toplulu\u011fun yer almamas\u0131 d\u00fc\u015f\u00fcn\u00fclemezdi. Botan, tarihten beri hep direni\u015flerin merkezinde olmu\u015ftur. Bu varl\u0131k- yokluk sava\u015f\u0131nda K\u00fcrtlere diz \u00e7\u00f6kt\u00fcrmek isteyen d\u00fc\u015fmana kar\u015f\u0131 m\u00fccadele etmemesi d\u00fc\u015f\u00fcn\u00fclemezdi.\u00a0 Halktan, gerilladan ve gen\u00e7likten bir\u00e7ok direni\u015f\u00e7i ve \u00f6zg\u00fcrl\u00fck sava\u015f\u00e7\u0131s\u0131 bu m\u00fccadele de yerini ald\u0131. \u00d6zy\u00f6netim direni\u015fleri i\u00e7erisinde \u015e\u0131rnex \u00e7al\u0131\u015fma grubu derne\u011fi \u00fcyesi Hac\u0131 Lokman Birlik arkada\u015fta yer almas\u0131 tesad\u00fcf de\u011fildir. O da \u00e7ocuk ya\u015fta d\u00fc\u015fman ger\u00e7ekli\u011fini tan\u0131yan, erken b\u00fcy\u00fcyen, k\u00f6yleri yak\u0131lan y\u0131k\u0131lanlardan biridir. Bu topraklar\u0131n \u00f6z \u00e7ocu\u011fu, ge\u00e7it vermez tabii i\u015fgalci, soyk\u0131r\u0131mc\u0131 bir d\u00fc\u015fman\u0131n kendilerini y\u00f6netmesine. \u00a0hele hele bu ki\u015fi sanat\u00e7\u0131 ise\u2026 Hac\u0131 Lokman Birlik arkada\u015f sinemayla erken ya\u015fta tan\u0131\u015f\u0131r\u2026 Uzun boylu ve yak\u0131\u015f\u0131kl\u0131d\u0131r. Ka\u00e7ak \u00e7ayla, ho\u015f sohbet sade ve d\u00fcr\u00fcst ki\u015fili\u011fi ile etraf\u0131nda sevilir. Kal\u0131ba girmez. \u00d6z\u00fc s\u00f6z\u00fc bir olan arkada\u015ft\u0131r. 2 y\u0131l zindan da kald\u0131ktan sonra bile, ayn\u0131 tebess\u00fcmle g\u00fclmeyi bilen bir yolda\u015f\u2026 Sinemaya tutkundur.\u00a0 Bir\u00e7ok yerde film g\u00f6sterimleri yapar\u2026 Oyunculuk ve di\u011fer sinema departmanlar\u0131nda yer al\u0131r. \u00d6zellikle \u2018yabanc\u0131\u2019 ve \u2018Bark\u2019 adl\u0131 k\u0131sa filmlerde do\u011fal oyunculu\u011fu insan\u0131 etkilemektedir. \u2018Yabanc\u0131\u2019 toplumsall\u0131\u011fa vurgu yapar. \u0130nsan\u0131n \u015fehirlerde nas\u0131lda yabanc\u0131la\u015ft\u0131\u011f\u0131n\u0131, unutulaca\u011f\u0131n\u0131,\u00a0 t\u00fckendi\u011fini i\u015fler. Bark\u2019ta adeta ger\u00e7ek ya\u015fam\u0131n nerede oldu\u011funu g\u00f6sterir gibidir. Bize \u00d6ze d\u00f6n\u00fc\u015f\u00fc anlat\u0131r gibidir\u2026 Ama en a\u011f\u0131r\u0131da son ya\u015fam anlar\u0131d\u0131r.\u00a0 Adeta film olmu\u015f da bize \u00f6ze d\u00f6n\u00fc\u015f\u00fcn kolay olmad\u0131\u011f\u0131n\u0131 s\u00f6yler. Hele hele bu co\u011frafya, K\u00fcrdistan ise\u2026 3 Ekim 2015\u2019te soyk\u0131r\u0131mc\u0131 TC yaral\u0131 olarak, i\u015fkence yaparak, diri diri, canl\u0131 canl\u0131 bir panzerin arkas\u0131na ba\u011flay\u0131p s\u00fcr\u00fcklemektedir. Ve bu g\u00f6r\u00fcnt\u00fcler adeta bir \u2018zafer\u2019 edas\u0131yla yans\u0131t\u0131lmas\u0131, K\u00fcrtleri tarih sayfas\u0131nda silmek isteyen d\u00fc\u015fman ger\u00e7ekli\u011fini t\u00fcm \u00e7\u0131plakl\u0131\u011f\u0131 ile vermektedir.\u00a0 7 y\u0131ldan fazlad\u0131r fa\u015fist- soyk\u0131r\u0131mc\u0131 AKP- MHP topyek\u00fbn sava\u015f a\u00e7arak K\u00fcrtleri tarihte silmek istemektedir\u2026 Dili, k\u00fclt\u00fcr\u00fc, topra\u011f\u0131, tarihi, kad\u0131n\u0131, genci, insan\u0131yla\u2026 Birlikte. B\u00fcy\u00fck bedeller verilmeye devam edilmektedir. \u0130nsan\u0131n \u00f6zg\u00fcr ya\u015fam aray\u0131\u015f\u0131ndaki \u0131srar\u0131 durdurmak m\u00fcmk\u00fcn de\u011fildir. \u00d6ze d\u00f6n\u00fc\u015f, kendini anlamaya d\u00f6n\u00fck giri\u015fimler her zaman olacakt\u0131r\u2026 Mazdek Ararat\u2019ta(\u00d6mer Ba\u011fc\u0131) t\u0131pk\u0131 Halil Da\u011f gibi, Hac\u0131 Lokman gibi \u00f6z\u00fcn\u00fc arayan sinemac\u0131lardand\u0131r. Zaten son 7. \u00a0TEV-\u00c7AND konferans\u0131nda temel de\u011ferler hakk\u0131ndaki kararlarda, Mazdek Ararat arkada\u015f, \u00fclkeye ve \u00f6ze d\u00f6n\u00fc\u015f\u00fcn sembol\u00fc olarak an\u0131lmas\u0131 kararla\u015ft\u0131r\u0131lm\u0131\u015ft\u0131r. Mazdek arkada\u015f\u0131n sinemaya olan ilgisi, partiye kat\u0131lmadan \u00f6nce ba\u015flam\u0131\u015ft\u0131r. Bir\u00e7ok dizi ve set ortam\u0131nda bulunmu\u015ftur.\u00a0 Fakat sistemde kalarak aray\u0131\u015flar\u0131na cevap olamayaca\u011f\u0131n\u0131 erkenden fark etmi\u015ftir. Sinema, her \u015feyden \u00f6nce bir sanatt\u0131r ve manevidir. Sistemdeki sanat anlay\u0131\u015f\u0131 ise tamamen maddidir ve ruh, maneviyat, insana de\u011fer gibi yakla\u015f\u0131mlar kesinlikle olmaz. Hele hele bir K\u00fcrt\u2019se,\u00a0 ona d\u00fc\u015fen sadece k\u00f6le vari \u00e7al\u0131\u015fmakt\u0131r. Sanat gibi insan\u0131, ya\u015fam\u0131 y\u00fccelten de\u011ferlere yer yoktur sistemde. Ya k\u00f6lece sistemin t\u00fcm dediklerini kabul edip kimli\u011finden, \u00f6z\u00fcnden vazge\u00e7ip sanat yap\u0131labilinir, ya da daha \u00f6zg\u00fcr alanlarda ve \u00f6zg\u00fcrl\u00fc\u011f\u00fcn sanat\u0131n\u0131 yapmak. Farkl\u0131 bir se\u00e7enek b\u0131rak\u0131lmam\u0131\u015ft\u0131r. Hele hele varl\u0131\u011f\u0131 k\u00fclt\u00fcrel soyk\u0131r\u0131mla s\u00fcrd\u00fcren TC,\u00a0 \u00a0d\u00fcn oldu\u011fu gibi bug\u00fcnde kurulu\u015funun 100. Y\u0131l\u0131 vesilesiyle de k\u00fclt\u00fcr ve sanat alan\u0131nda b\u00fct\u00fcn yollar\u0131, \u00e7al\u0131\u015fmalar\u0131 kendisine ba\u011flamaya \u00e7al\u0131\u015fmaktad\u0131r. T\u00fcmden k\u00fclt\u00fcrel soyk\u0131r\u0131m\u0131 tamamlamak i\u00e7in elinden gelen her \u015feyi yapacakt\u0131r. En ufak, ayk\u0131r\u0131, demokratik bir sesi an\u0131nda susturmakta, \u00f6n\u00fcn\u00fc almaktad\u0131r\u2026 \u00a0\u00a0\u00a0\u015eehid Mazdek tabi ki her \u015feyden \u00f6nce 2. Yolu, yani sistem d\u0131\u015f\u0131nda sanat yapmay\u0131 se\u00e7mi\u015ftir.\u00a0 Kobani direni\u015fi d\u00f6neminde, \u00d6nderli\u011fin seferberlik \u00e7a\u011fr\u0131s\u0131 etkisiyle y\u00f6n\u00fcn\u00fc Rojava\u2019ya vermi\u015ftir. En iyi sava\u015fan\u0131n, sanat yapaca\u011f\u0131n\u0131n bilincinde olan Mazdek arkada\u015f, direni\u015fte yer almay\u0131, kendine bir g\u00f6rev bilmi\u015ftir\u2026 Sonraki d\u00f6nemler kadrola\u015farak yani, \u2018\u00f6rg\u00fctlenmi\u015f ve eyleme ge\u00e7mi\u015f hakikat\u2019 olma yolunda kararl\u0131 sa\u011flam ad\u0131mlarla y\u00fcr\u00fcmeyi bilmi\u015ftir. Mazdek yolda\u015fla ya\u015fayanlar bilir, insan\u0131n dikkatini \u00e7eken ilk \u00f6zelli\u011fi d\u00fcr\u00fcstl\u00fc\u011f\u00fcd\u00fcr, i\u00e7tenli\u011fidir, bir i\u015fe\u00a0 %100 kat\u0131l\u0131m\u0131d\u0131r. Bir karar verdimi teredd\u00fct etmez art\u0131k, sonuna kadar y\u00fcr\u00fcr yolunda\u2026 \u00c7ok\u00e7a s\u00f6yledi\u011fi \u2018y\u00fcr\u00fcmek do\u011frudur\u2019 s\u00f6z\u00fc karakterini g\u00f6stermektedir. Emek\u00e7ili\u011fi, fedak\u00e2rl\u0131\u011f\u0131 tart\u0131\u015f\u0131lmazd\u0131r. Mazdek arkada\u015f\u0131n oldu\u011fu yerde insan bilir ki i\u015f yar\u0131m kalmaz. Sonuna kadar sorumluluk sahibi olarak i\u015fine y\u00fcklenirdi\u2026 R\u00f6portajlar\u0131nda Mazdek heval devrim alan\u0131nda devrim sinemas\u0131n\u0131 yapmak iste\u011fini belirtirdi.\u00a0 Bir hayali de sinema k\u00f6y\u00fc olu\u015fturmakt\u0131. Alternatif sinema \u00fczerine \u00e7ok\u00e7a yo\u011funla\u015fmakta, tart\u0131\u015fmalr\u0131 olmaktayd\u0131\u2026 Bu d\u00fc\u015f\u00fcncelerini bir\u00e7ok yerde akademi de ders verirken, kurucular\u0131ndan oldu\u011fu rojava kom\u00fcn\u00fcndeyken,\u00a0 ya da set alanlar\u0131nda film \u00e7ekim s\u0131ras\u0131nda da rahatl\u0131kla g\u00f6rmek, dinlemek m\u00fcmk\u00fcnd\u00fc\u2026 Mazdek yolda\u015f bir\u00e7ok projede yer ald\u0131. Sinema emek\u00e7isi olarak her alanda \u00e7al\u0131\u015fmalar\u0131n\u0131 y\u00fcr\u00fctt\u00fc. En son Kobani film \u00e7al\u0131\u015fmalar\u0131 s\u0131ras\u0131ndayken, talihsiz bir trafik kazas\u0131 sonucu \u015fehit d\u00fc\u015fen Mazdek arkada\u015f\u0131n kayb\u0131 hepimiz a\u00e7\u0131s\u0131ndan a\u011f\u0131r olmu\u015ftur\u2026 Hayallerini, ama\u00e7lar\u0131n\u0131 ger\u00e7ekle\u015ftirme, hepimiz a\u00e7\u0131s\u0131ndan bir g\u00f6rev olmaktad\u0131r.<\/p>\n<p>Sineman\u0131n kolektif bir sanat alan\u0131 olmas\u0131ndan \u00f6t\u00fcr\u00fc, \u00a0emek verenin de \u00e7ok olmas\u0131 gibi bir durum s\u00f6z konusudur.\u00a0 Sinema, senaryo yaz\u0131m\u0131ndan tutal\u0131m, rejis\u00f6r \u00e7al\u0131\u015fmaya, kamera, sesten, makyaj, kost\u00fcm, dekor, prod\u00fcksiyona; \u00a0oyunculuktan, m\u00fczi\u011fine, montaja\u2026\u00a0 Dek geni\u015f bir \u00e7al\u0131\u015fma alan\u0131 oldu\u011fundan sinema \u00e7al\u0131\u015fmalar\u0131nda bir\u00e7ok arkada\u015f yer alm\u0131\u015ft\u0131r\u2026 \u0130smini anamad\u0131\u011f\u0131m\u0131z bir\u00e7ok arkada\u015f \u015fehit d\u00fc\u015fm\u00fc\u015ft\u00fcr\u2026<\/p>\n<p>\u00d6zg\u00fcrl\u00fck Hareketi,\u00a0 \u00d6nderlik d\u00fc\u015f\u00fcncesinde ve \u015fehitler \u00e7izgisinde geli\u015ferek t\u00fcm d\u00fcnya halklar\u0131na umut olmaktad\u0131r. Her \u015fehidin an\u0131s\u0131 bir \u00fcst a\u015famaya s\u0131\u00e7ratmaya neden olmu\u015ftur. Moral ve g\u00fc\u00e7 kayna\u011f\u0131 olmu\u015ftur.\u00a0 \u00d6zg\u00fcr ya\u015fam\u0131n yarat\u0131lmas\u0131nda en b\u00fcy\u00fck eme\u011fin sahibi,\u00a0 ahlaki- politik toplumun geli\u015fmesinde en temel ve kutsal de\u011ferler olmaktad\u0131r. Bizlere d\u00fc\u015fen an\u0131lar\u0131na ve ama\u00e7lar\u0131na ger\u00e7ekle\u015ftirme ve lay\u0131k olmakt\u0131r.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Zerde\u015ft\u00a0\u00a0 Dersim\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Halklardan bahsetti\u011fimizde, baz\u0131 \u00f6zelliklerinin \u00f6n plana \u00e7\u0131kt\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcr\u00fcz.\u00a0 \u00d6zellikle toplumsall\u0131k konusu, halklar\u0131n \u00f6zelli\u011fini belirlemede en temel rol\u00fc oynar.\u00a0 Tarihle birlikte olu\u015fa gelen toplumsall\u0131\u011fa yak\u0131ndan bakt\u0131\u011f\u0131m\u0131zda, \u00e7e\u015fitli ya\u015fam \u00f6\u011felerini i\u00e7inde bar\u0131nd\u0131rd\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcr\u00fcz. \u0130nan\u00e7 sistemlerinden tutal\u0131m, ahlaki politik yap\u0131lara, ekonomi- \u00f6z savunma \u00f6rg\u00fctlenmelerden, insan- do\u011fa ili\u015fkilerine dek\u2026 Geni\u015f bir yelpazede \u00f6r\u00fcl\u00fcr ya\u015fam, toplumsall\u0131kla birlikte. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":952,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-951","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-ve-sanat"],"_links":{"self":[{"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/posts\/951","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=951"}],"version-history":[{"count":1,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/posts\/951\/revisions"}],"predecessor-version":[{"id":953,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/posts\/951\/revisions\/953"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=\/wp\/v2\/media\/952"}],"wp:attachment":[{"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=951"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=951"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tirki.komunar.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=951"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}